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AT THE END OF THE RIVER STYX

Poignant and hopeful.

Two boys from different worlds find one another through grief.

In Greece 499 years ago, 18-year-old Zan sacrificed himself to the Ferryman of the River Styx to save his mother’s life. His centuries spent leading souls to the Ferryman are nearly up when something unexpected happens a year before his servitude ends: He meets Bastian, a boy living in present-day Portland, Oregon, who’s deeply troubled by the untimely death of his own mother. Zan has one job: to lead Bastian to the ghoulish Ferryman, who will devour his soul. But something about Bastian is different. Bastian’s friends and twin brother are determined to help him heal from the trauma of losing his mother. He keeps finding Zan in what initially seem to be recurring dreams, but as Bastian finds himself drawn further into Zan’s world (which is cobbled together from past souls’ memories), the two find their connection growing. Zan must decide whether he can sacrifice Bastian to the Ferryman and finally end his sentence—or serve for 500 more years. Bastian, meanwhile, must consider his own mortality. Told in alternating perspectives, this queer contemporary spin on Greek mythology is a thoughtful portrait of grief and healing. Bastian’s guilt and sadness are palpable and will resonate with readers as they cheer him on. Bastian is racially ambiguous; his mother had “warm ochre” skin.

Poignant and hopeful. (Fiction. 14-18)

Pub Date: Sept. 24, 2024

ISBN: 9798890039606

Page Count: 384

Publisher: Page Street

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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