An empowering introduction that demands parallel examination of Carrington’s own work.
Artist Leonora Carrington (1917-2011) bucks pressure and tradition to join the surrealist movement.
“Leonora’s parents wanted her to be like every other well-bred English girl. But she was not.” This white girl with Irish heritage doesn’t want to “become a lady.” As a child, she sketches make-believe planets; she’s expelled from boarding school after boarding school. In Italy, she sees Renaissance art in churches and galleries and forges ahead “to paint her own imagined worlds.” She joins the surrealists in London and then France, painting fantastical creatures and women who are not simply “pretty decorations.” When Nazi Germany invades France, Carrington escapes to Mexico (described, alas, as “exotic”), befriends artist Remedios Varo, and continues painting surrealist works about enchanted women, nature, mysticism, and the occult. Hall’s watercolor ink, gouache, and pencil-crayon illustrations feature mild surrealism, far less eerie than Carrington’s. Hall uses sinuous lines abundantly—doorways curve, tree trunks bend—and tints Carrington’s world with greens, golds, and oranges. A few full-bleed spreads are magnificent, including the flight from Nazi Europe, which combines a burning city and a winged creature-ship, and a depiction of Carrington’s late painting of a giantess, for which readers must turn the book sideways. A love affair with surrealist Max Ernst and an early marriage of convenience to escape Europe go unmentioned until the author’s note; Carrington’s mental illness isn’t mentioned anywhere.
An empowering introduction that demands parallel examination of Carrington’s own work. (illustrator’s note, bibliography) (Picture book/biography. 5-9)Pub Date: Jan. 22, 2019
ISBN: 978-0-06-244109-6
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter.
The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.
Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter. (Picture book/memoir. 5-8)Pub Date: Oct. 17, 2017
ISBN: 978-0-316-31957-7
Page Count: 48
Publisher: Little, Brown
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
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