A cacophony of verve and frolic, this is biographical storytelling at its absolute best.
The career of one of our most famous picture-book artists comes rip-roaringly to life!
Why on earth should kids care about the life of Randolph Caldecott (1846-1886)? Because he brought fun to the picture-book page! From the start, readers are promised “frisky animals, sprightly characters, and a hero so chipper he can barely hold still on the paper.” This book is nothing like the children’s books of old, which were uninspired, static, and often downright dull. As a child, Caldecott was delighted with animals, sketching them and their movements. He grew up to become a banker and made a living illustrating magazines and newspapers. Given the chance to illustrate a book for children, he filled the pages with what he’d learned. Infused with the sheer energy and joy of the subject matter, McClintock’s art pops and bubbles on the page. She deftly interweaves reproductions of Caldecott’s own illustrations with her own into a seamless whole, one picture often in play with the next. This is no stodgy biography—Markel’s enthusiasm is well matched by McClintock’s own (and adults may enjoy identifying the nine illustrators, eight of them, so far, Caldecott Medal winners, gracing one of the book’s pages). Markel has crafted a fine companion to her previous bio of John Newbery, Balderdash! (2017), illustrated by Nancy Carpenter.
A cacophony of verve and frolic, this is biographical storytelling at its absolute best. (annotations, endnotes, bibliographies) (Picture-book biography. 5-8)Pub Date: Nov. 14, 2023
ISBN: 9780811879231
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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