Mannered and elegant; reminiscent in many ways of novels of days long past, particularly the Baroness Orczy’s swifter-paced...
Well-plotted if sometimes slow-moving novel of the French Revolution and one now-famous survivor of that heady (or, perhaps, be-heady) time.
In late 2010, Madame Tussaud’s Wax Museum in London installed its newest exhibit: a wax effigy of Lady Gaga. All that had to have started somewhere, and that’s where Moran’s (Nefertiti, 2007) tale comes in, adding dimension and emotion to the known historical facts. Here we find Madame Tussaud—then Mademoiselle Grosholtz—at the beginning of an illustrious career as a maker of wax models, all the rage of an aristocracy that, to judge by some of the scenes Moran unfolds, quite deserves to be put up against the wall. This business of being immortalized in wax is "something reserved only for royals and criminals,” young Marie Grosholtz reflects, and it’s a trade that she and her fashionmonger colleague Rose Bertin are all too glad to be involved with. As tutor and model maker to the court of King Louis XVI, Marie soon finds herself with a wide circle of friends royal and otherwise, including Marie Antoinette, who seems a touch more sensible than the standard account might have it. Into the picture come and go a parade’s worth of eminent historical figures, from Benjamin Franklin and Thomas Jefferson to the Dauphin, Jean-Jacques Rousseau and a very bad Robespierre. Marie is better at art than at guessing the future—“Not everyone may love the queen,” she opines, “but they shall always respect her”—and it’s only a matter of time before the Marquis de Sade starts to howl down from the Bastille that it’s time for the sansculottes to run their own show, which leads to—well, let’s just say that it leads to certain difficulties in the pursuit of the celebrity wax trade. Moran’s story unfolds deliberately and sometimes glacially, but it eventually arrives where it began, having enfolded a small world of characters and situations.
Mannered and elegant; reminiscent in many ways of novels of days long past, particularly the Baroness Orczy’s swifter-paced Scarlet Pimpernel.Pub Date: Feb. 15, 2011
ISBN: 978-0-307-58865-4
Page Count: 464
Publisher: Crown
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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