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ALL OF US WITH WINGS

This tale of found family and recovery weaves an unforgettable punk rock–infused spell.

Xochi, a teen runaway, is contracted by 12-year-old Pallas and her polyamorous family to be their governess.

The night of an after-party during the vernal equinox, Xochi and her charge conjure two fey children bent on punishing all who have wronged the older girl. Debut author Keil paints San Francisco in both specific and broad strokes—the music scene, fashion, and lack of modern technology hint at a possibly historical setting. The worldbuilding falls somewhere between the dangerously thrilling and dark urban fantasies of Holly Black and the magic-infused, sweeping romances of Anna-Marie McLemore. The writing soars, especially at the sentence level, alternating effortlessly between past and present and the perspectives of multiple protagonists, including a bookstore cat with ties to the faery world. The secondary characters are multidimensional and bring their own storied pasts, which will draw readers to this loving and unconventional family. The often flippant dialogue helps to break up some of the heavier, more painful, and rawer passages. Xochi’s reckless decisions, especially a taboo sexual relationship and high-chasing drug use, aren’t played for drama or effect—they exemplify a truly traumatized teen on the path to recovery and healing. Through risky and sometimes-empowering behavior, she learns to forgive and love herself. Xochi is biracial (Mexican-American and white); she is also queer, as are multiple secondary characters.

This tale of found family and recovery weaves an unforgettable punk rock–infused spell. (Magical realism/urban fantasy. 15-adult)

Pub Date: June 18, 2019

ISBN: 978-1-64129-034-0

Page Count: 360

Publisher: Soho Teen

Review Posted Online: April 10, 2019

Kirkus Reviews Issue: May 1, 2019

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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REDEMPTION PREP

Only marginally intriguing.

In a remote part of Utah, in a “temple of excellence,” the best of the best are recruited to nurture their talents.

Redemption Preparatory is a cross between the Vatican and a top-secret research facility: The school is rooted in Christian ideology (but very few students are Christian), Mass is compulsory, cameras capture everything, and “maintenance” workers carry Tasers. When talented poet Emma disappears, three students, distrusting of the school administration, launch their own investigation. Brilliant chemist Neesha believes Emma has run away to avoid taking the heat for the duo’s illegal drug enterprise. Her boyfriend, an athlete called Aiden, naturally wants to find her. Evan, a chess prodigy who relies on patterns and has difficulty processing social signals, believes he knows Emma better than anyone. While the school is an insidious character on its own and the big reveal is slightly psychologically disturbing, Evan’s positioning as a tragic hero with an uncertain fate—which is connected to his stalking of Emma (even before her disappearance)—is far more unsettling. The ’90s setting provides the backdrop for tongue-in-cheek technological references but doesn’t do anything for the plot. Student testimonials and voice-to-text transcripts punctuate the three-way third-person narration that alternates among Neesha, Evan, and Aiden. Emma, Aiden, and Evan are assumed to be white; Neesha is Indian. Students are from all over the world, including Asia and the Middle East.

Only marginally intriguing. (Mystery. 15-18)

Pub Date: April 14, 2020

ISBN: 978-0-06-266203-3

Page Count: 416

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Jan. 18, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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