by Micol Ostow ‧ RELEASE DATE: Aug. 26, 2014
A dark read for a darker night.
An evil house manipulates its residents to dark ends in this novel inspired by The Amityville Horror (1977).
Connor’s family moves into the odd, old house—Amity—for a fresh start after the family patriarch’s sketchy business practices force their move. Ten years later, Gwen’s family seeks a new start after a mysterious incident Gwen was involved in, hoping country life will help stabilize her. They both have a close relationship with an opposite-gender sibling and enough personal issues to make them unreliable narrators. The split first-person narrative shows the parallels between their experiences, occasionally repeating revelations, but the protagonists fit into different parts of the house’s pattern of violence and horror, which keeps the two stories from feeling stale. The house shares its bag of tricks with the famous Amityville incident—flies, specific and significant numbers, the basement’s hidden red room, and of course dreams of grisly crimes. The narrative consists of very many short chapters that are most effectively deployed in the rapid acceleration to the climax; earlier, they feel jarringly jumpy. The dark history of the house isn’t kept a mystery—the object is dwelling in the horror, not uncovering it—and the house’s nature is openly evil from the start. The refreshing lack of romance enhances the claustrophobic atmosphere, and while the foreshadowing gives away a lot, the conclusion still surprises.
A dark read for a darker night. (Horror. 13 & up)Pub Date: Aug. 26, 2014
ISBN: 978-1-60684-156-3
Page Count: 368
Publisher: Egmont USA
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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by Micol Ostow ; illustrated by Thomas Pitilli & Andre Szymanowicz & John Workman
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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by Laura Nowlin
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SEEN & HEARD
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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