by Mikael Niemi & translated by Laurie Thompson ‧ RELEASE DATE: Oct. 15, 2003
A sentimental tale saved from pure nostalgia by the unfamiliarity of its setting and a nicely understated narration.
Niemi’s debut (“the single bestselling book in Sweden’s history,” we’re told) describes life in a remote northern Swedish village during the 1960s.
If Vittula were in the US, it would probably be someplace in Alaska, Arkansas, or Idaho—somewhere very far off the beaten track. A little town north of the Arctic Circle, Vittula is close to the border of Finland, and most of the townspeople are as likely to speak Finnish as Swedish. There’s not much work there outside the timber industry, and with the advent of mechanization most of the lumberjacks are chronically unemployed. Narrator Matti grew up in Vittula in the 1960s and saw the area decline. The fathers all went on the dole, the children moved away or went on the dole themselves, and the rest of Sweden forgot—if it ever knew in the first place—that Vittula existed. Matti tells his story in a series of episodic chapters that come together in a narrative mosaic portraying a time and place long since past. One Sunday the villagers flock to church en masse—even the Communists crowd in—to see an African missionary, the first black man ever to set foot in Vittula. A German tourist who rents a summer cottage in town turns out to be an old SS officer. The new music teacher at school has no fingers on his right hand. Matti’s father explains the facts of life to him in the sauna and tells the boy a bit more about his grandfather’s exploits than he might have wanted to hear. The teenagers from the region gather in an abandoned sewage plant for a drinking contest. And Matti, having long worshipped from afar a mysterious girl in a black Volvo, finally meets and is seduced by his dream woman—without ever learning her name. A portrait of growing up, in other words.
A sentimental tale saved from pure nostalgia by the unfamiliarity of its setting and a nicely understated narration.Pub Date: Oct. 15, 2003
ISBN: 1-58322-523-4
Page Count: 240
Publisher: Seven Stories
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2003
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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