A sentimental tale saved from pure nostalgia by the unfamiliarity of its setting and a nicely understated narration.
Niemi’s debut (“the single bestselling book in Sweden’s history,” we’re told) describes life in a remote northern Swedish village during the 1960s.
If Vittula were in the US, it would probably be someplace in Alaska, Arkansas, or Idaho—somewhere very far off the beaten track. A little town north of the Arctic Circle, Vittula is close to the border of Finland, and most of the townspeople are as likely to speak Finnish as Swedish. There’s not much work there outside the timber industry, and with the advent of mechanization most of the lumberjacks are chronically unemployed. Narrator Matti grew up in Vittula in the 1960s and saw the area decline. The fathers all went on the dole, the children moved away or went on the dole themselves, and the rest of Sweden forgot—if it ever knew in the first place—that Vittula existed. Matti tells his story in a series of episodic chapters that come together in a narrative mosaic portraying a time and place long since past. One Sunday the villagers flock to church en masse—even the Communists crowd in—to see an African missionary, the first black man ever to set foot in Vittula. A German tourist who rents a summer cottage in town turns out to be an old SS officer. The new music teacher at school has no fingers on his right hand. Matti’s father explains the facts of life to him in the sauna and tells the boy a bit more about his grandfather’s exploits than he might have wanted to hear. The teenagers from the region gather in an abandoned sewage plant for a drinking contest. And Matti, having long worshipped from afar a mysterious girl in a black Volvo, finally meets and is seduced by his dream woman—without ever learning her name. A portrait of growing up, in other words.
A sentimental tale saved from pure nostalgia by the unfamiliarity of its setting and a nicely understated narration.Pub Date: Oct. 15, 2003
ISBN: 1-58322-523-4
Page Count: 240
Publisher: Seven Stories
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2003
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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