A high-octane story rife with action, from U.S. streets to Guatemalan jungles.
In Bond’s (The Last Savanna, 2013, etc.) military thriller, a former U.S. Army pilot witnesses soldiers slaughtering a village in Guatemala and makes himself a target when he starts asking questions.
Vietnam vet Joe Murphy is earning money by flying to Guatemala to pick up a load of marijuana. But before he can get his plane back in the air, the Guatemalan army attacks, and Murphy flees into the jungle. The pilot, injured and taken in by villagers, evades the army again but watches as they massacre the village. When Murphy makes it back to the States, he goes to the press with his story, but there’s evidently no media interest. A short article, however, is enough to catch the attention of Col. Lyman, who was in Guatemala on a CIA op and who’s been obsessively pursuing Murphy, blaming him for the murder of another CIA insert, Kit Gallagher—a death that Murphy heard while hiding in the jungle. Murphy is now dodging killers, including cops, in his native country, hoping to learn what the CIA was doing in Guatemala and determined to go back for Dona Villalobos, a doctor he fell for during his recovery. Bond’s kinetic novel abounds with intense scenes—Murphy trekking through the spider- and snake-laden forest with a broken arm; Dona and a group of guerrillas raiding an Army base for medicines, a plan that has unexpectedly bloody results. But even without someone running or ducking bullets, characters are rarely given a chance to stop and take a breath. The adept Dona simultaneously tends to Murphy, who’s aggravated his injury, and a pregnant woman who needs a cesarean section. Bond also includes elements of mystery; readers are aware of the CIA’s presence in Guatemala but learn most things right along with the protagonist. The characters are fully limned, though none is more delectably warped than Lyman. His fixation on Murphy borders on psychotic and leads Lyman to enact seriously disturbing deeds. Not surprisingly, the novel ends with a shock, one that might have a few readers gasping.
A high-octane story rife with action, from U.S. streets to Guatemalan jungles.Pub Date: Nov. 25, 2013
ISBN: 978-1627040105
Page Count: 387
Publisher: Mandevilla Press
Review Posted Online: June 5, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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