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NICO BRAVO AND THE CELLAR DWELLERS

From the Nico Bravo series , Vol. 2

Smart, fast-paced fun.

Living among gods and monsters, a young boy must save his friends and their magical island.

Jumping right in where Nico Bravo and the Hounds of Hades (2019) left off, young Nico Bravo, resident of the enchanted isle of Celestina and employee at Vulcan’s Celestial Supply Shop, is not looking forward to the annual visit of Sam, better known as Abonsam, the West African god of misfortune and pestilence—who, despite his bailiwick, comes across as a pretty likable character. When one of Sam’s monsters is released, however, all at the shop begin to turn to stone. As Nico’s friends are petrifying, Orcus, a shape-shifting monster henchman of Ahriman, god of evil, has broken into the shop to steal the last piece of Aether, the building block of all things. Nico embarks upon an epic quest to save his friends and their home—along the way encountering Atlantean flying saucers, unicorns stuck in a time loop, and steamroller scorpions—but not before he learns his own origin story. Cavallaro’s sophomore graphic novel is both fast-paced and engaging, filling its full-color panels with enough intrigue and explosions to keep pages flying. Fans of Rick Riordan’s works should feel at home here with its mix of multicultural religions. Ahriman comes from Zoroastrian tradition, Orcus is a Roman deity, and secondary character Eowulf derives from Nordic myth; figures from the Abrahamic faiths seem to be absent, however. Nico and most of the main human characters are white; only a few unnamed background humans show any different skin tones.

Smart, fast-paced fun. (Graphic fantasy. 8-12)

Pub Date: Aug. 25, 2020

ISBN: 978-1-250-22037-0

Page Count: 192

Publisher: First Second

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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WILLODEEN

The young folk and (of course) the animals are engagingly wrought in this tale with a strong ecological message.

An orphan loner’s small town faces a hard future after it unwittingly disrupts a natural cycle.

Willodeen is lucky that elderly retired thespians Mae and Birdie took her in after the wildfire that killed her parents and brother, not only because they’re a loving couple, but because they let her roam the woods in search of increasingly rare screechers—creatures so vile-tempered and stinky that the village elders of Perchance have put a bounty on them. The elders have other worries, though: The migratory hummingbears that have long nested in the area, drawing tourists to the lucrative annual Autumn Faire, have likewise nearly vanished. Could there be a connection? If there is, Willodeen is just the person to find it—but who would believe her? Applegate’s characters speak in pronouncements about life and nature that sometimes seem to address readers more than other characters, but the winsome illustrations lighten the thematic load. Screechers appear much like comically fierce warthogs and hummingbears, as small teddies with wings. Applegate traces a burgeoning friendship between her traumatized protagonist and Connor, a young artist who turns found materials into small animals so realistic that one actually comes to life. In the end, the townsfolk do listen and pitch in to make amends. Red-haired, gray-eyed Willodeen is cued as White; Connor has brown skin, and other human characters read as White by default.

The young folk and (of course) the animals are engagingly wrought in this tale with a strong ecological message. (Eco-fantasy. 8-12)

Pub Date: Sept. 7, 2021

ISBN: 978-1-250-14740-0

Page Count: 272

Publisher: Feiwel & Friends

Review Posted Online: July 12, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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