NICO BRAVO AND THE CELLAR DWELLERS

Living among gods and monsters, a young boy must save his friends and their magical island.

Jumping right in where Nico Bravo and the Hounds of Hades (2019) left off, young Nico Bravo, resident of the enchanted isle of Celestina and employee at Vulcan’s Celestial Supply Shop, is not looking forward to the annual visit of Sam, better known as Abonsam, the West African god of misfortune and pestilence—who, despite his bailiwick, comes across as a pretty likable character. When one of Sam’s monsters is released, however, all at the shop begin to turn to stone. As Nico’s friends are petrifying, Orcus, a shape-shifting monster henchman of Ahriman, god of evil, has broken into the shop to steal the last piece of Aether, the building block of all things. Nico embarks upon an epic quest to save his friends and their home—along the way encountering Atlantean flying saucers, unicorns stuck in a time loop, and steamroller scorpions—but not before he learns his own origin story. Cavallaro’s sophomore graphic novel is both fast-paced and engaging, filling its full-color panels with enough intrigue and explosions to keep pages flying. Fans of Rick Riordan’s works should feel at home here with its mix of multicultural religions. Ahriman comes from Zoroastrian tradition, Orcus is a Roman deity, and secondary character Eowulf derives from Nordic myth; figures from the Abrahamic faiths seem to be absent, however. Nico and most of the main human characters are white; only a few unnamed background humans show any different skin tones.

Smart, fast-paced fun.