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LITTLE ELLIOT, BIG FAMILY

From the Little Elliot series

Young children will easily relate to Elliot’s experience of loneliness and his relief at inclusion, both convincingly...

The pachyderm who searched for friendship in Little Elliot, Big City (2014) returns to seek a family in this follow-up.

Elliot’s buddy, Mouse, is departing for a family reunion. With a huge clan—the cousins alone total 147—the group size in Mouse’s photograph contrasts with the two figures (Elliot and Mouse) in Elliot’s frame. Curato’s palette and style are reminiscent of Edward Hopper. The lone elephant appears in an open window, the sole figure in a double-page spread depicting rows of closed, opaque panes in a brown facade near a barren tree: “The house was quiet. And empty.” Subdued greens and reds predominate, and while some of the figures in the multiethnic neighborhood scenes are in groups, others are hidden behind newspapers or shadows, adding to the sense of isolation. Employing a restrained text, Curato mines the visuals for emotional impact, as when he portrays Elliot among a sea of empty chairs inside the cinema, tearfully watching a family film. The black-and-white movie connects to reality when the protagonist exits into a nocturnal snowfall. All is well when Mouse, having missed Elliot, invites him back to the candlelit attic feast. Playful endpapers mimic fine art and family portraits, with one very large addition.

Young children will easily relate to Elliot’s experience of loneliness and his relief at inclusion, both convincingly captured in this elegant tale. (Picture book. 3-6)

Pub Date: Oct. 6, 2015

ISBN: 978-0-8050-9826-6

Page Count: 40

Publisher: Henry Holt

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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WHEN I TALK TO GOD, I TALK ABOUT FEELINGS

A tender book to help little ones make sense of the emotions around prayer.

Actor Metz and songwriter Collins join illustrator Fields in their second faith-related title for young children.

Instead of focusing on the language of prayer—what to say or how to say it—this book explores a topic central to the lives of the very young: their feelings around talking to God. Rhymes and near-rhymes in the AABB verses enumerate the simple challenges and triumphs experienced by a series of animals: “Sometimes I’m sad, not sure what to do. / There are days I feel teary, unhappy, or blue. / I fell off a log. I’m embarrassed and hurt. / My coat and paws are all covered in dirt.” An accompanying illustration depicts a sad wolf pup, a definite contrast to its siblings, who are delighting in their play. The highlight of the book is Fields’ animal characters. Whether happy, nervous, or sad, their expressive faces are easy to read, and their feelings will be familiar to young tots. The beaver’s frustration is palpable, and the tears in the scared raccoon’s eyes may just make readers’ own eyes well up. Some of the animals have a God stand-in to help them with their feelings—a friend or family member—but the final spread shows all the individual animals coming together in a couple of group hugs that express where children can find support (and sweetly defy predator–prey relationships).

A tender book to help little ones make sense of the emotions around prayer. (Picture book. 3-6)

Pub Date: March 4, 2025

ISBN: 9780593691366

Page Count: 32

Publisher: Flamingo Books

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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