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DRUNK TALK

A smart, crass, and often humorous take on life and society.

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An unnamed narrator offers opinions on a wide range of topics in this eclectic, barroom-oriented work of fiction.

In this book, author Davis and poet Banks call on readers to imagine themselves at a bar eavesdropping on the cacophony of drunken conversations that surround them. In 48 short essays (or “discussions,” as the book calls its chapters), their fictional speaker offers readers “an in-depth look at the world” through the lens of a man emboldened by so-called “liquid smarts.” Written with a careful balance of wit, cursing, and earnest insight, the book tackles myriad issues that span from fashion and celebrities to “The Nature of People” and “The Problem With Philosophers.” Although much of the book is tongue-in-cheek, it tackles serious topics with panache, arguing, for instance, that racism stems from weakness, jealousy, and self-hatred. True to its barroom mise-en-scène, the chapters are interspersed with “drunken thoughts,” “drunken definitions,” and other “random drunk shit,” which include practical life tips and “Drunken Quotes To Keep You Focused” (such as “Never stand underneath what you can’t lift”) and horoscopes centered on readers’ drinks of choice; those downing tequila shots, the narrator predicts, will soon experience an “unexpected event.” Some readers will find the book’s proclivity toward bathroom humor, cursing, and sex talk off-putting. However, others may find themselves nodding in agreement as they meander through its eclectic takes, which are generally lighthearted and never mean-spirited. It’s a concise collection—fewer than 150 pages—but one that manages to offer a rare blend of earthiness and wisdom.

A smart, crass, and often humorous take on life and society.

Pub Date: May 17, 2022

ISBN: 979-8828551392

Page Count: 144

Publisher: Independently Published

Review Posted Online: June 29, 2022

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FEED THE WHITE WOLF

A POETIC BATTLE WITH ALCOHOLISM AND MENTAL ILLNESS

A sometimes-evocative but inconsistent set of poems.

Lahey’s debut poetry collection follows the speaker’s lifelong struggles with depression, alcohol abuse, and loneliness.

This set’s works are most effective when the speaker discusses his friends, family, and childhood, as those subjects yield personal details, clear images, and a cohesive story. In “Pops,” for instance, the speaker shares memories of his father, “Skating on a pond with frogs, / Racing at the back of the trailers, / Reading the morning comics.” These images make the larger sentiments (“the best damn father a boy could have”) feel more meaningful. “The Wolf” points out “It really is simple: / The wolf you will be, / The black or the white, / The one that you feed,” while in “The White Wolf,” the speaker asserts: “The white wolf is me”—essentially, one who chooses to fight against his vices, instead of giving into them. This essential choice provides the collection’s central main theme. The poet often achieves the tone of a nursery rhyme in his works, which is disturbing and even haunting in the more hard-edged poems. On the other hand, some verses pay insufficient attention to detail; in “12,” for instance, the speaker broadly says, “I felt so alive and cool. / Little did I know, still a young boy, / That I was nothing but a naive fool,” which makes it difficult to actually visualize the boy. This collection might have been stronger if the speaker had shown how his emotions spurred him to action, instead of merely stating them, and allowed readers to witness his pain and suffering firsthand. In “Life,” the speaker relies on clichéd phrases (“Here one day / Gone the next”; “Life is too short”); these might have lingered with readers if the rest of the poems were stronger, instead of relying on vague, basic concepts of light and dark.

A sometimes-evocative but inconsistent set of poems.

Pub Date: Sept. 10, 2020

ISBN: 978-1-66320-399-1

Page Count: 138

Publisher: iUniverse

Review Posted Online: March 11, 2021

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LADY BE GOOD

THE LIFE AND TIMES OF DOROTHY HALE

A smart and touchingly sympathetic fictional portrayal of an enigmatic woman.

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A historical novel about the once-famous American socialite Dorothy Hale.

Former NBC News producer Hamilton has chosen a subject of her debut novel who’s likely best remembered today as the focus of a famous 1939 painting by Frida Kahlo. In the 1920s and ’30s, the intelligent, attractive, and sophisticated Hale ran in glamorous circles that included future member of Congress and ambassador Clare Boothe Brokaw (later Luce). Hale tried to break into a career in show business, and history has largely judged her as a thwarted figure—someone whose lack of success in entertainment or in love (she was divorced once and had several ill-starred affairs) eventually drove her to leap from her Central Park South apartment window to her death—the very act that Kahlo immortalized in her aforementioned work, The Suicide of Dorothy Hale. In this novel, Hamilton sets out to tell a much fuller story, taking readers on a lightly fictionalized tour of Hale’s upbringing and spending a satisfying amount of time on her complex, loving second marriage to artist Gardner Hale. The narrative also lavishes attention on Dorothy’s increasingly deep friendship with Clare, who manages to do in this novel what she always managed to do in real life—get all the best lines: “Courage is the ladder on which all other virtues mount,” she writes to Dorothy at one point. At another moment that showcases Hamilton’s ear for conversation and talent for pacing, Gardner tells Dorothy, “You know of course that I am happier than I’ve ever been and will remain so if it’s just the two of us forevermore,” which prompts Dorothy to remember one of Luce’s remarks: “Forevermore is shorter than you think.” Overall, the author’s narrative is smooth and invitingly readable, wearing its clearly considerable research lightly; her version of Dorothy’s doomed relationship with President Franklin D. Roosevelt’s adviser and Works Progress Administration administrator Harry Hopkins is surprisingly gripping. The narrative never stoops to easy renditions, and as a result, Dorothy emerges as both a charismatic and vulnerable figure.

A smart and touchingly sympathetic fictional portrayal of an enigmatic woman.

Pub Date: March 31, 2021

ISBN: 978-1-64-663272-5

Page Count: 298

Publisher: Koehler Books

Review Posted Online: May 24, 2021

Kirkus Reviews Issue: July 15, 2021

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