What does love look like when you're not cool anymore? A little older, a little wiser, and just as bewildering and overwhelming.
This slice of contemporary life in New York City could have ended poorly, à la movies like (500) Days of Summer or Blue Valentine, but DeCapite clearly has the acumen to make this brittle, sweet fable both romantic and realistic at the same time. The narrator, Mike, is a bit of a nonentity beyond the way we experience the world through his eyes. The big earthquake that begins the book is his meeting with an old acquaintance named June, a survivor of the bygone punk years who still keeps a scrapbook with, for example, a cigarette she bummed from Iggy Pop. Mike becomes consumed by the soon-to-be-divorced June, still a bit gun-shy despite her adventurous nature. “I’ve always had a thing for you—twenty years ago I had a thing for you,” she tells him. “I was nervous to be around you because you’re a writer, I just thought you’re so smart, you were the coolest thing but you were married. Now I’m getting divorced, I need to be there for my divorce. I need to feel it and go through it, and I need to take my heart back and have my own life again.” Honest? Kind of. Heartbreaking? Absolutely. But DeCapite doesn’t dwell on the maudlin, instead constructing a narrative composed of equal parts Mike's angst and self-doubt, June’s enigmatic behavior, and Mike's exchanges with the old fellas at the 14th Street Y, who share stories of gangsters, God, and other memories. In the meantime, Mike and June hold on for dear life. “Step by step, you go from the inside to the outside,” he explains. “Life is a process of being gently shown the door.” It’s a completely confounding relationship, which makes it feel so very real.
A sad but sweet song about the uncertainty of middle age and how funny it is when time slips away.