A fast-paced mob-family saga with compelling characters, great dialogue, and hardboiled vengeance.
In Florio’s crime novel set in the 1970s, gangsters pursue a young couple and fight among themselves.
As the story opens, it’s 1973 and J.J. Mesagne has just fled the scene of a gangland shootout in Wheeling, West Virginia, involving his father. He travels across the country with a stolen dog named Gnocchi to Scottsdale, Arizona, where he meets up with his mother, Maria Jenkins, and Leslie Fitzpatrick, the girl carrying his baby. Leslie also happens to be the mistress of Paul Verbania, West Virginia’s main mob boss. The three soon learn that J.J.’s father has been executed as a reprisal for the couple’s relationship. J.J. assumes a false name and starts working at a hospital in an effort to keep a low profile, but it isn’t long before he arouses the suspicions of Billy, a local man with organized crime connections. Before long, J.J. realizes he must decide between doing the unthinkable or continuing to run. Back in West Virginia, Paul’s crew, led by the menacing Vinny, are taking the search national: Anyone who finds J.J., and sends his severed hand to them as proof that he’s dead, will receive a sizable reward. Meanwhile, Jimmy Dacey, the 72-year-old best friend of J.J.’s father, is infiltrating the West Virginia mob; he starts working with Vinny’s crew and learns that there’s dissension in the ranks over whether to keep pursuing J.J. Jimmy hatches a plan to take down the bad guys and set J.J. free for good.
Over the course of the novel, Florio presents a mob drama that spans years before delivering a satisfying conclusion that ties all the various plot threads together. Right from the exciting opening—which starts in the middle of the action, leaving readers unsure of who was just shot, whom we should trust, or what exactly is in J.J.’s immediate future—readers will be eagerly turning pages as Florio fills them in on past and future events. The cast of characters is large, and several are the focus of individual chapters, told from their first-person point of view. This device could have offered an intriguing patchwork of perspectives, but it’s not entirely successful in its execution; they often feel too similar in style, and the cutting back-and-forth between different points of view slows some exciting action sequences. Despite this, Florio’s characters are well drawn and engaging. He has a flair for dialogue that keeps the plot moving, as in punchy exchanges between Vinny and his dimwitted crew, or between J.J. and his sharp-tongued mother, as when he tells her it’s his duty to get revenge: “‘Duty my ass.’ Maria smacked a hand against her backside as she said it. ‘Your only duty is to take care of this family. If you don’t come back, where does that leave us?’” The plot treads familiar territory for the genre, but the inclusion of Maria and Jimmy as elders with their own agendas, romances, and doubts feels fresh.
A fast-paced mob-family saga with compelling characters, great dialogue, and hardboiled vengeance.Pub Date: Sept. 3, 2024
ISBN: 9798987944042
Page Count: 400
Publisher: PFT Publishing
Review Posted Online: Aug. 8, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Review Program: Kirkus Indie
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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