SON OF MINE

In Florio’s crime novel set in the 1970s, gangsters pursue a young couple and fight among themselves.

As the story opens, it’s 1973 and J.J. Mesagne has just fled the scene of a gangland shootout in Wheeling, West Virginia, involving his father. He travels across the country with a stolen dog named Gnocchi to Scottsdale, Arizona, where he meets up with his mother, Maria Jenkins, and Leslie Fitzpatrick, the girl carrying his baby. Leslie also happens to be the mistress of Paul Verbania, West Virginia’s main mob boss. The three soon learn that J.J.’s father has been executed as a reprisal for the couple’s relationship. J.J. assumes a false name and starts working at a hospital in an effort to keep a low profile, but it isn’t long before he arouses the suspicions of Billy, a local man with organized crime connections. Before long, J.J. realizes he must decide between doing the unthinkable or continuing to run. Back in West Virginia, Paul’s crew, led by the menacing Vinny, are taking the search national: Anyone who finds J.J., and sends his severed hand to them as proof that he’s dead, will receive a sizable reward. Meanwhile, Jimmy Dacey, the 72-year-old best friend of J.J.’s father, is infiltrating the West Virginia mob; he starts working with Vinny’s crew and learns that there’s dissension in the ranks over whether to keep pursuing J.J. Jimmy hatches a plan to take down the bad guys and set J.J. free for good.

Over the course of the novel, Florio presents a mob drama that spans years before delivering a satisfying conclusion that ties all the various plot threads together. Right from the exciting opening—which starts in the middle of the action, leaving readers unsure of who was just shot, whom we should trust, or what exactly is in J.J.’s immediate future—readers will be eagerly turning pages as Florio fills them in on past and future events. The cast of characters is large, and several are the focus of individual chapters, told from their first-person point of view. This device could have offered an intriguing patchwork of perspectives, but it’s not entirely successful in its execution; they often feel too similar in style, and the cutting back-and-forth between different points of view slows some exciting action sequences. Despite this, Florio’s characters are well drawn and engaging. He has a flair for dialogue that keeps the plot moving, as in punchy exchanges between Vinny and his dimwitted crew, or between J.J. and his sharp-tongued mother, as when he tells her it’s his duty to get revenge: “‘Duty my ass.’ Maria smacked a hand against her backside as she said it. ‘Your only duty is to take care of this family. If you don’t come back, where does that leave us?’” The plot treads familiar territory for the genre, but the inclusion of Maria and Jimmy as elders with their own agendas, romances, and doubts feels fresh.

A fast-paced mob-family saga with compelling characters, great dialogue, and hardboiled vengeance.