Despite Gayle’s stereotypical characterization of men as bumbling and clueless boys, Duffy’s well-enough drawn to be a...
Lightweight but touching modern relationship story, this time from a male point of view.
To get the obvious comparisons out of the way, British author Gayle’s first US publication (after a previous success, My Legendary Girlfriend, in the UK) isn’t as giddily amusing as Bridget Jones, nor as thoughtfully affecting as Nick Hornby’s High Fidelity, and it isn’t as quirkily original as either one, but it has its own distinct hangdog charm. Here, Benjamin Duffy, almost 30, is an aspiring stand-up comic in London whose pleasantly low-key life is shaken up when Mel, his girlfriend of four years, proposes. Though he loves her, and doesn't want to contemplate life without her, Duffy panics at the prospect of marriage. Retreating to his sty of an apartment, shared with best mate and fellow aspiring comic Dan (having lost the woman he loved, Dan has adopted an I-am-a-beer-swilling-unlaundered-island posture), Duffy decides not to make Dan’s mistake—and so says yes. Mel soon detects he doesn’t really mean it, though, and, heartbroken, calls the whole thing off. With the counsel of his brother-in-law Charlie, Dan, along with a great many pints of beer, Duffy attempts to accept the situation, and begins seeing Alexa, “TV’s Hottest Totty,” while Mel starts to spend time with an old boyfriend. Thanks, however, to the hectoring of his sister, and the intervention of his mother, who arranges for her son to meet the father who abandoned them many years before, Duffy realizes that he is not his father—and no longer need fear failing Mel.
Despite Gayle’s stereotypical characterization of men as bumbling and clueless boys, Duffy’s well-enough drawn to be a winning Everyman, and readers will be cheering him on as he heads for his emotional growth spurt.Pub Date: Jan. 1, 2001
ISBN: 0-385-50100-5
Page Count: 320
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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