A sophisticated and discerning family portrait.
An affluent Brooklyn family navigates family drama, career trouble, and long-kept secrets in Karpa’s novel.
Roger White is a film professor at New York University, but his first and only screenwriting success is far behind him. He’s going through the motions at work and longs for a good idea to revive the creative side of his career. His second wife, Casey, was raised in rural Missouri and is now comfortably set up in their Brooklyn home, due to the generosity of Roger’s mother Sherbeam, a celebrated Manhattan artist whose star is beginning to fade. Their kids, Demmy and Abby, attend an exclusive school, but Casey has some insecurities about the fact that she doesn’t live in Park Slope like “all the other mothers” who “walked (or hired someone to walk) their progeny to school.” She’s driving a Porsche, but her own Spanish translation service is foundering; she’s also still haunted by the loss of her first husband and daughter, who tragically drowned in the Mississippi. Meanwhile, Demmy is busy with applications to Ivy League schools while still trying to reject her own privilege, and the egotistical Sherbeam is planning a celebratory retrospective of her work in Barcelona. Egos collide and tensions flare, though, when Sherbeam’s new paintings are revealed, and Casey makes a discovery that will send the entire family into uncharted terrain. Karpa’s fictional White family seems at first glance to live and thrive in an increasingly frivolous locale. Several stand to inherit large sums, and trust funds and luxury cars are the norm. However, the complex novel takes off in several unexpected directions, diving into Casey’s Southern roots and Sherbeam’s emotionally abusive behavior. As a result, the narrative becomes absorbing, and it’s well-informed about contemporary fads and mores while staying expertly focused on the characters’ hopes and losses. Overall, it’s a deeply satisfying story that’s written with intelligence and wit, and—like the on-the-go White family—never stays in one place too long.
A sophisticated and discerning family portrait.Pub Date: Dec. 18, 2022
ISBN: 9781736244456
Page Count: 362
Publisher: Mumblers Press LLC
Review Posted Online: Dec. 22, 2022
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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