Storytelling that’s as brisk, efficient, and unsentimental as the killers.
A much-respected Department of Justice administrator’s reservations about the apparently random shooting of a colleague sends D.C. fixer Joe DeMarco on a journey to identify the real killers (not hard) and bring them to justice (much harder).
Andie Moore, found shot dead behind the wheel of her car, seems to have been the victim of an impatient thief. But her boss, Congressional Medal of Honor winner Henry Cantor, who runs the DOJ's Oversight and Review Division, is convinced that her murder is connected to her investigation of Lenny and Estelle Berman, who used the assisted living facility they owned to bilk Medicare of $15 million—which, Henry reminds House Speaker John Mahoney, is not all that much money. He’s right, of course: Andie had snapped a damning photo of McIntyre and McGruder, a pair of FBI agents investigating the case, executing the Bermans in an Everglades swamp so that they could pocket the proceeds themselves, and when they realized they’d been followed to the rendezvous, they tied up the unexpected loose end. It doesn’t take long for DeMarco and Emma, the Defense Department op he teams up with, to identify McIntyre and McGruder, but the killers have an accomplice who’s even more coldblooded than they are and even more intent on tying up loose ends. The quest to identify the murderers morphs into a quest to bring them to justice before they can tie up enough loose ends to sink Lawson’s consistently absorbing franchise. The denouement, well planned on every side, goes abruptly off the rails due to some unwelcome coincidences and a remarkably heroic gesture by one of the leading players.
Storytelling that’s as brisk, efficient, and unsentimental as the killers.Pub Date: Feb. 7, 2023
ISBN: 978-0-8021-6052-2
Page Count: 288
Publisher: Atlantic Monthly
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
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