An inventive treat, with humor, heart, and a hint of magic.
A Russian girl adopts a very large, very unusual “puppy” in Maroney’s debut middle-grade novel.
Although 9-year-old Natasha loves her grandfather, Deda, she doesn’t like having to leave her little Russian village to stay with him in the impoverished, crime-ridden town of Horridgrad while her father is away on an engineering job. The town is a scary place, under the thumb of crime boss Ivan the Horrid and a corrupt mayor. So Natasha is delighted when Deda buys her a playful, snow-white puppy in the marketplace. She names him Mishka, and the animal grows at such an astonishing rate that some in town even wonder if he’s a dog at all. (The author’s clever hints about what Mishka is become more overt as the story progresses.) When Mishka helps to rescue children from an icy pond, stops a robbery, and keeps Ivan’s thugs away, he makes the town’s residents feel safer, and they begin to join together to improve their community. Irate Ivan, losing his grip on the town, schemes with the flunky mayor to get rid of Mishka. Maroney sets this delightful story in the present day, but gives it the unforced charm of an old-world folk tale, with moments of real hilarity, subtle suggestions of mystery and magic, and an inventive take on the theme of good triumphing over evil. Along the way, the author gets in a few sly jabs at politicians; for instance, the mayor takes a course in answering questions and afterward “could answer questions all day long and never say one thing that made any sense.” In another quirky moment, Ivan is disappointed that the hitman he hires turns out to be an animal rights activist. Natasha, Deda, and rambunctious Mishka are well-developed characters, as are several side players.
An inventive treat, with humor, heart, and a hint of magic.Pub Date: May 1, 2019
ISBN: 978-1-916118-11-9
Page Count: 291
Publisher: Talisman
Review Posted Online: Sept. 13, 2019
Review Program: Kirkus Indie
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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