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UPON FURTHER REVIEW

THE GREATEST WHAT-IFS IN SPORTS HISTORY

Some quibbles aside, this is sports escapism brought to new and entertaining heights.

More than 30 what-if stories that reinvent sports history, and perhaps the greater national history.

Former NPR sports reporter Pesca, host of the Slate podcast The Gist, asked his contributors to give the full trajectory of the what-if, not just how one game may have played out had Bill Buckner not booted a routine ground ball or Drew Bledsoe not gotten hurt and given way to Tom Brady. The author wants the bigger picture: how it might have changed the sport, a life, the politics of a nation, or paved over major cultural roadblocks, like racism. That is a tall order for rather short fantasies—roughly five to 10 pages—but a surprising number pull it off. “What If Nixon Had Been Good at Football?” by Julian Zelizer, is a wonderful little psycho-sporting profile that presents Nixon as a confident, honest, comfortable-in-his-own-skin man. “What If Roger Bannister Trained Today?” asks Liam Boylan-Pett. Instead of squeezing in a few hours per week between medical school classes, what if he had followed today’s rigorous training regimens? Probably a new world record. What if Muhammad Ali had gotten his draft deferment? What if professional football were invented today? With what we know about head trauma, we might have very different play and players. For those readers who are intimate with a particular event—e.g., what if Billie-Jean King had lost to the huckster Bobby Riggs? What if Brady hadn’t stepped in for the injured Bledsoe?—these counterfactual stories may feel thin on the bone. There are, for instance, lots of reasons besides Brady that the New England Patriots are the dynasty they have become, and it does feel like coaches, other players, and the general state of the sport at the time get short shrift. Other notable contributors include Leigh Montville, Jeremy Schaap, Will Leitch, and Mary Pilon.

Some quibbles aside, this is sports escapism brought to new and entertaining heights.

Pub Date: May 15, 2018

ISBN: 978-1-4555-4036-5

Page Count: 320

Publisher: Twelve

Review Posted Online: March 5, 2018

Kirkus Reviews Issue: March 15, 2018

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WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

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