A suitably vibrant history of spectacular doings on—and above—the hardwood.
Naysayers can’t ground the coolest shot in basketball.
A staple of postgame shows and social media feeds, the slam dunk is omnipresent, but the opposite was once true, Sielski, a Philadelphia sportswriter and Kobe Bryant biographer, writes in this informative account. Consider the book’s cover star, Julius Erving, who wowed fans by leaping from the free-throw line, 15 feet from the hoop, and slamming the ball home. Born in 1950, “Dr. J” was never more athletic than in the early 1970s, but playing in the ABA, an upstart league without a national TV contract, “he was invisible,” a pro basketball executive tells Sielski. At least the ABA let him dunk. While at the University of Massachusetts, Erving, like every other college player from 1967 to 1976, was prohibited from dunking during games. Sielski shows that race was among the factors behind the purportedly safety-minded rule change. By the late 1960s, Black players like UCLA’s Lew Alcindor—he’d later change his name to Kareem Abdul-Jabbar—were dominating the college game. The “Anti-Alcindor Rule,” as some called the dunk ban, was meant to temper his above-the-rim supremacy, and Abdul-Jabbar was among those who said the rule change wouldn’t have been implemented if he were white. Sielski chases a host of historical leads about early dunkers, yielding memorable, if not always verifiable, anecdotes. Joe Fortenberry, a college player in Texas, dunked in a 1930s game, but his coach said, “Joe, that’s not elegant” and forbade further dunks. Holding two basketballs and tossing a third in the air as he jumped, New York City phenom Connie Hawkins could dunk all three before landing. Sielski writes about great recent dunkers, but his chapters on Michael Jordan and Ja Morant offer little that will be new to fans.
A suitably vibrant history of spectacular doings on—and above—the hardwood.Pub Date: Feb. 11, 2025
ISBN: 9781250287526
Page Count: 368
Publisher: St. Martin's
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
BOOK REVIEW
PERSPECTIVES
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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