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ELLIE MAKES A FRIEND

From the Ellie series

Thumbs up for an easy tale of overcoming difference through art and curiosity. (Picture book. 3-7)

In the fourth book of the series, Ellie the elephant observes the new critter at the zoo—Ping, the painting panda.

Not to be confused with pandas of the kung fu sort, Ping brings a friendly black-and-white brightness to the zoo. Her image is full of contradictions that make her unusual to the group of zoo animals. Sharp eyes belie her soft roundness while her wide girth gives way to tiny hands that create graceful and interesting brushwork. She is definitely not a local, and Ellie and her friends cannot understand her language. Ping must pick up her bamboo brush and paint her words (characters that readers of Chinese will readily recognize). While the animals marvel at Ping’s artwork, Ellie begins to feel overshadowed, as the calligraphy is so different from her multicolored paintings. When Ping reaches out to offer Ellie a bamboo brush, the elephant awkwardly declines. “Maybe my paintings aren’t that special,” she whispers to herself. Indeed, the inclusion of Ping’s pictures adds contrast and stylistic interest to Wu’s ebullient watercolors. The gorilla named Gerard once again dispenses wisdom to the sweet elephant, encouraging her to learn more about Ping and her art. Can sharing art be a bridge between two different cultures? By the end, Ping and Ellie seem to think so.

Thumbs up for an easy tale of overcoming difference through art and curiosity. (Picture book. 3-7)

Pub Date: April 7, 2020

ISBN: 978-1-368-01000-9

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: Dec. 17, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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