Walks the edge of sentimentality with poignant success.
Clover Brooks has spent almost her whole life in the presence of death; maybe the time has come for her to live a little.
When she was 5, Clover witnessed her kindergarten teacher’s collapse, and then, when she was 6, her parents died in an accident while on vacation in China. Taken in by her maternal grandfather, she moved from Connecticut to New York City, where he raised her lovingly, if in some isolation. Now 36, she still lives in her grandfather’s West Village apartment, though he’s been dead for 13 years; works as a death doula; and counts as her only true friends her pets and her 87-year-old neighbor. Her work is emotionally challenging but rewarding; she holds the hands of the dying, then goes home to write down their last words in one of three journals: “Regrets,” “Advice,” or “Confessions.” Despite the loneliness of her life, Clover isn’t looking for a change, which is, naturally, when change finds her: first in the form of Sebastian, who asks her to spend time with his dying grandmother, and then in the form of Sylvie, who moves into the apartment downstairs. The grandmother, Claudia, turns out to be a spitfire: a former photojournalist, she left the love of her life behind when she married, and Clover, inspired by her energy and kindness, seeks closure to this tale, while also (maybe?) going on her first date ever with Sebastian and beginning a friendship with Sylvie. As she connects with others, she must also accept her lingering grief and guilt for her beloved grandfather’s death. There are so many opportunities for cliché here, and Brammer adroitly sidesteps them all. This is a beautiful tale of a vulnerable, compassionate woman who finds that, in order to care for others, she must also let herself be cared for. Even that cliché feels moving, rather than saccharine, in Brammer’s capable hands.
Walks the edge of sentimentality with poignant success.Pub Date: May 9, 2023
ISBN: 9781250284396
Page Count: 320
Publisher: St. Martin's
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A sweet bedtime story.
A boy and his stuffed bear head into the woods.
Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.
A sweet bedtime story.Pub Date: Oct. 8, 2024
ISBN: 9780593729960
Page Count: 128
Publisher: One World/Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
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