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HOOD FEMINISM

NOTES FROM THE WOMEN THAT A MOVEMENT FORGOT

A much-needed addition to feminist discourse.

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A book about feminism from the perspectives of those often left out of the conversation.

Kendall (Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for Their Rights, 2019) takes a magnifying glass and megaphone to the plights of marginalized women, many of whom are criminally overlooked or erased in mainstream feminist discussions of the hardships women face. The author frankly highlights how issues like race, food insecurity, gun violence, and poverty, among others, are all feminist issues, with many of them overlapping or serving to exacerbate others. Using history, pop culture, and statistics along with personal stories, Kendall demonstrates the problems with mainstream feminism’s lack of consideration of intersectionality. She purposefully shifts the focus to women who are generally treated as a footnote and holds up a mirror to feminism’s usual spokespeople by pointing out blind spots in a movement that claims to be for all women but which has shown itself to be exclusionary of most. A military veteran, wife, mother, and ardent opponent of respectability politics, Kendall shows how several talking points used by mainstream feminists and policymakers cause more harm than good to the groups they are trying to serve, and she supplies practical suggestions for ways to make worthwhile and sustainable changes. While acknowledging that no one is without flaws, Kendall also notes that we have a responsibility to make society a safer, more equitable place for women of all backgrounds. Sometimes, that involves stepping aside so someone more suitable gets the platform and support to do so. Kendall is a highly knowledgeable and inspiring guide, and she effectively builds on the work of black women who have, for ages, been working to better the lives of themselves and their communities. The book is an authentic look, from the perspective of a black feminist, at the ways mainstream feminism must be overhauled, from the personal to the policy level, and a demand that its practitioners do better.

A much-needed addition to feminist discourse.

Pub Date: Feb. 25, 2020

ISBN: 978-0-525-56054-8

Page Count: 288

Publisher: Viking

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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