Kundera is characteristically incisive, but this is mostly for completists.
A slim volume of early writings by the celebrated Czech author focusing on Central European cultures and languages.
Kundera (b. 1929), who has lived in France since 1975, was part of the influential arts and theater movement in Czechoslovakia in the 1960s, which helped spur the Prague Spring of 1968. In these republished essays, Kundera asserts that the revival of Czech culture and language (the Czech National Revival) assured the very sovereignty of the nation against the onslaught of globalization. “The process of integration risks absorbing all the small nations, whose only defense can be the vigor of their culture, the personality and the inimitable traits that are their contribution,” he said in a speech to the 1967 Writers’ Congress. In the showcase essay, “The Kidnapped West, or the Tragedy of Central Europe,” which appeared in the French periodical Le débat in 1983, Kundera wrote more freely on the significance of the cultural affinity between the Central European countries (Czechoslovakia, Poland, Hungary) and European culture elsewhere, rooted in Roman Christianity and the Enlightenment. Kundera examines the “succession of revolts” that have convulsed these nations in the mid-20th century and how they have all been brutally suppressed by the Soviet Union. He argues that the post-1945 Soviet crackdown on these countries has been no less than “an attack on their civilization. The deep meaning of their resistance is the struggle to preserve their identity—or, to put it another way, to preserve their Westernness.” The author also considers some of the brilliant writers and musicians from these beleaguered nations, examining their existential struggles in opposition to the dominant neighboring German and Russian cultures and languages. Lovely though brief, these essays have fresh resonance as Ukraine remains under siege by Russia. The author’s fans will best appreciate this thin book, but general readers may wish for more pieces and further context.
Kundera is characteristically incisive, but this is mostly for completists.Pub Date: April 11, 2023
ISBN: 9780063272958
Page Count: 96
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 1, 2023
Kirkus Reviews Issue: March 1, 2023
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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