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ROLL OF THUNDER, HEAR MY CRY

Taylor trusts to her material and doesn't try to inflate Cassie's role in these events, and though the strong, clear-headed...

At first Cassie Logan and her brothers, a year or so older than they were in the much briefer, Song of the Trees, (1975) are only dimly aware of rumors that two men have been killed and one badly burned by a white mob.

Then Mary, their mother, tries to organize a boycott against the Wallaces, the local storeowners and instigators of the violence, and Logan land and lives are put on the line. Cassie's own spirit is demonstrated straight off, on the first day of the school year, when she refuses to accept a schoolbook labeled "condition—very poor, race of student—nigra." Like her parents, Cassie learns that she must pick her shots carefully to survive, and she takes pains to learn a few blackmail-level secrets from her special tormentor, Miz Lillian Jean, before giving the older girl a good thrashing. Tragically though, brother Stacey's friend T.J. who isn't so careful, starts hanging around with the Wallace boys and winds up facing a lynch mob after they talk him into helping them rob a store. Although the Logans, whose ownership of desirable farmland has made them a target of white persecution, live in a virtual state of siege, and even after Papa sets fire to his own cotton to divert the attention of the mob from T.J., the story ends unmelodramatically not far from where it began—after a string of hard-fought victories and as many bitter defeats and with the money for the next tax payment on the land still not in sight.

Taylor trusts to her material and doesn't try to inflate Cassie's role in these events, and though the strong, clear-headed Logan family is no doubt an idealization, their characters are drawn with quiet affection and their actions tempered with a keen sense of human fallibility.

Pub Date: Oct. 1, 1976

ISBN: 978-0-8037-2647-5

Page Count: 304

Publisher: Dial Books

Review Posted Online: May 10, 2012

Kirkus Reviews Issue: Oct. 1, 1976

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LITTLE RED SLEIGH

Sadly, the storytelling runs aground.

A little red sleigh has big Christmas dreams.

Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)

Sadly, the storytelling runs aground. (Picture book. 3-6)

Pub Date: Oct. 1, 2020

ISBN: 978-1-72822-355-1

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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