Unger’s edged prose shows us a clear Michelangelo emerging from the stone of history.
Art historian and journalist Unger (Machiavelli, 2011, etc.) organizes his life of Michelangelo by focusing on six masterpieces of varying media that compose the pillars of his creative life.
Michelangelo di Lodovico di Buonarroti Simone (1475-1564) was a cantankerous genius whose works emerged not just from Italian marble, but from the even more adamantine stone of the political realities of his time. The six works that Unger focuses on include Pietà, David, the Sistine ceiling, Medici Tombs, Last Judgment and St. Peter’s Basilica. The author tells us about the idea, the creation (Michelangelo was notoriously secretive about his work and did not like others, especially his patrons, looking in and making suggestions), the political and interpersonal difficulties he faced, and the public receptions. This last varied widely: The Sistine ceiling brought cries of admiration; Last Judgment elicited cries of another sort—another painter disguised some nudity. Unger excels at showing us the artist at work: his reluctance, his caginess, his temperament (easily hurt and angered, he sometimes tried to run away) and his jealousies (da Vinci and Raphael among them). We marvel, too, at his mastery of so many different types of media. Unger describes his contentious relationships with members of his own family, especially his hectoring letters to his siblings. Readers will find it astonishing how many of Michelangelo’s letters remain; he died in 1564, the year of the birth of Shakespeare, who left no letters (or other manuscript material). We also see Michelangelo’s ferocious work habits and perfectionism and his ascetic lifestyle, which didn’t really change until later in his life when his financial situation became more comfortable. Michelangelo outlived numerous popes (his relationships with them were significant), local rulers and families, and other notable artists.
Unger’s edged prose shows us a clear Michelangelo emerging from the stone of history.Pub Date: July 22, 2014
ISBN: 978-1-4516-7874-1
Page Count: 416
Publisher: Simon & Schuster
Review Posted Online: April 21, 2014
Kirkus Reviews Issue: May 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
