NINETEEN STEPS

A tale of love, war, and tragedy in 1940s London.

Brown’s debut is touted as being inspired by events that affected her own family, but just about anyone who has seen a movie about World War II could probably have written a similar novel; the story and tropes are all too familiar. Set in the Bethnal Green neighborhood of London, the story follows young Nellie Morris, who works for the mayor’s office. Nellie, who lives with her parents, brother George, and adored little sister Flo, navigates wartime scarcities and endures the frequent air raids with as much grace as she can muster with German bombers screaming overhead. She does have fun hanging out with her childhood friends Babs and Billy, the latter of whom is not-so-secretly in love with her. But when the sirens howl, laughter is forgotten as the whole neighborhood flees to the Underground station to wait out the bombs. The tedium and terror are interrupted when Nellie meets Ray Fleming, a handsome American airman, who tells her tales of his native Michigan, and suddenly her hopes and dreams for the future blossom. But a shocking tragedy upends their romance, and Nellie must confront hard questions of civil and personal responsibility. Brown is best known for playing the telekinetic Eleven on Netflix’s hit series Stranger Things, and her fans are likely to reach with excitement and hopeful generosity for this coming-of-age story. But it is inexpertly written, its major tragic scene confusing and poorly described, and the characters never transcend the paper-thin clichés with which they were constructed (plucky young woman; handsome Yank; asthmatic, nobly suffering friend). Though it seems likely to be a hit, the novel lacks the depth to elicit real emotion.

Poorly drawn characters and clichés abound in this familiar story of WWII.