Ivanović’s contributions are from Serbian, Bosnian, Croatian, and Finnish writers—all admirably noirish.
Fourteen tales of woe from what Serbian novelist Momo Kapor once called “a low-budget New York.”
Like all Balkan capitals, Belgrade cowers in the shadow of war. In Muharem Bazdulj’s “Black Widow, White Russian,” a Serbian woman who grew up in Sweden enlists the help of a recent divorcé to find the soldier responsible for her father’s death. A Croatian who’s secretly a Serb comes to no good in Miljenko Jergović’s “The Case of Clerk Hinko, a Noose, and Luminal.” The gay heroine of Vladimir Arsenijević’s “Regarding the Father” helps her lover avenge the rape of her mother by war criminals. Vule Žurić shows Partisan and Soviet soldiers sharing the task of excavating the grave of a spy killed by the Nazis in “The Man Who Wasn’t Mars.” Aleksandar Gatalica allows another victim of Nazi brutality to take his revenge via time travel in “The Phantom of the National Theater.” Other stories look forward rather than back in time. The spyware that the IT specialist in Misha Glenny’s “The RAT” installs on a customer’s iPhone thwarts a murder. Goran Skrobonja explores the consequences of a technology that allows people to create a living doppelgänger to take their place when they want to be somewhere else in “Alter Ego Inc.” And some stories are timeless in showing the strange turns that can be taken by the most pedestrian among us, like the chess-playing retirees who discover a sadomasochistic sex business operating out of the cardiologist’s office on the fourth floor of their apartment building in Oto Oltvanji’s “Underneath It All Runs the River of Sadness.”
Ivanović’s contributions are from Serbian, Bosnian, Croatian, and Finnish writers—all admirably noirish.Pub Date: Dec. 1, 2020
ISBN: 978-1-61775-749-5
Page Count: 272
Publisher: Akashic
Review Posted Online: Sept. 15, 2020
Kirkus Reviews Issue: Oct. 1, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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