A vigorous, sparkling, and entertaining love story with plenty of Austen-ite wit.
A put-upon heiress pining for a lost love triangulates between a villainous guardian seeking her hand and a mysterious nobleman in this Regency romance.
Maggie Honeywell used to be a headstrong hellion who scandalized British high society by riding and shooting as well as any man and batting away countless proposals. Alas, by 1817, the 26-year-old has lost her health to flu complications and is about to lose her fortune unless she marries the loathsome Frederick Burton-Smythe. He was given control of her fabulous Beasley Park estate in a will and gets to keep it unless she marries someone he approves—namely, himself. Worse, Frederick has foolishly challenged the Viscount St. Clare, the best shot in London, to a duel over a card game, and if he dies, her assets will be forfeited. Maggie appeals for mercy to St. Clare, who sports over 6 feet of lean muscle and “lazy, masculine grace,” but when she gets a good look at his face, she faints dead away. He’s the spitting image of Nicholas Seaton, the bastard stable boy she fell in love with 10 years ago before Frederick framed him for theft and he ran off to find his father, the notorious highwayman Gentleman Jim. St. Clare ardently woos Maggie but denies that he is this Seaton fellow, all while fending off sly distant relations with a claim to his inheritance and pointed questions about his parentage. St. Clare feels flustered; Maggie feels gaslighted; and the jealous Frederick intensifies his controlling behavior and tries to assault her in a carriage, stopping only when a masked highwayman emerges from the darkness. In her latest yarn, Matthews serves up a savory blend of suspense, erotic infatuation, and marriage intrigue. Her characters are sharply drawn and captivating with lots of Hogarthian quirks; her scenes of balls, drawing-room manners, and vaporous anxieties over deportment are full of piquant details; and the dialogue is tartly elegant. (Frederick: “If you’d exert yourself to be sweet to me on occasion––” Maggie: “I shall exert myself to slap your face if you don’t let go of me.”) Maggie and St. Clare’s amorous scenes are passionate but don’t unnecessarily drag out the mechanics; the two make for captivating romantic leads whose personalities are as magnetic as their looks.
A vigorous, sparkling, and entertaining love story with plenty of Austen-ite wit.Pub Date: Nov. 10, 2020
ISBN: 978-1-73305-699-1
Page Count: 376
Publisher: Perfectly Proper Press
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Nov. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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