There’s more to storytime between a parent and child than book selection. Closeness and comfort certainly count.
Reading aloud is a wonderful shared activity for a father and child. But what or where is the best chair?
Dapper papa moose, dressed in a fedora and sweater, agrees to read a story to his young one. But then the quest begins for the best setting. Size, condition, texture, type, and location all present problems. They are about to give up when a picture-perfect location is found under a tree in an urban park. Lê’s little story, a sort of metafictive prequel to the act children and caregivers are engaging in in reading this very book, is delightfully presented. Gordon’s watercolor, pencil, crayon, and collage illustrations in soft shades of greens, browns, and grays illustrate each of the possibilities with gentle humor. Each opposing possibility is presented on a page or sometimes two, subtly controlling the pacing: “Too Funky. / Too Fancy” or “Too Old. / Too New.” Readers will find themselves lingering over the choices. Some of the options are familiar: “Too Big. / Too Small” (an imposing and far-from-cozy sofa; a fire hydrant). Some are less so: “Too Rough. // Too Slippery” (a bumpy bicycle ride; a slide in the park). A street map of the town on the endpapers, including its trees and lakes, along with a music-loving squirrel add to the fun.
There’s more to storytime between a parent and child than book selection. Closeness and comfort certainly count. (Picture book. 3-6)Pub Date: Nov. 12, 2019
ISBN: 978-1-368-02004-6
Page Count: 32
Publisher: Disney-Hyperion
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
