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EGG DROP

“The Egg was young. / It didn’t listen. / If only it had waited.” This modern-day version of Humpty Dumpty (wall, fall, irreparable damage), first published in England in 2002, may prove as controversial as the comparatively benign Arlene Sardine (1998), by Chris Raschka, whose fishy heroine dies mid-book. Here, an egg wants desperately to fly and just can’t wait for all that pecking-out-of-the-shell-and-flapping-its-wings business. Despite many warnings (and being ignorant of Bernoulli’s principle, illustrated within), it climbs to the top of a 583-step tower and jumps. Gravity ensues. When the broken shell can’t be repaired with tomato soup, Band-Aids or nails, the egg—now curiously intact and smiling like the Mona Lisa—is plated sunny-side up with bacon for an unseen diner’s breakfast. Some children will laugh, two or three will never eat an egg again and, as usual, none will pay any attention when told “Wait until you’re older.” Grey’s appealing, comical artwork—with soft watercolors, toasty warm palette and refreshingly varied perspectives—employs bits of graph paper, photographs and other textures to wonderful, shattering effect. (Picture book. 5-8)

Pub Date: July 14, 2009

ISBN: 978-0-375-84260-3

Page Count: 32

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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