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THE PAPER PALACE

From the first pages of her debut novel, Heller pulls no punches. Some of them just sneak up on you later on.

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When it comes to making the biggest decision of your life, what matters more: the events of one epic day or the events of a lifetime—though could that day have even happened without the lifetime leading up to it?

Elle Bishop has spent every summer of her 50 years at her family’s compound on Cape Cod, in the Back Woods. Ramshackle and in a constant losing battle with the elements, the beach retreat is a reassuring constant in Elle’s life, which has otherwise been marked by her parents’ divorce, a series of increasingly inappropriate parental mates, gruesome stepsiblings, and interactions with lecherous and violent men and boys. Jonas, a childhood friend of Elle’s from the Cape, served as another constant during her challenging upbringing. Elle’s day of reckoning is prompted by a sexual encounter with him—just outside a dinner party with both of their spouses in attendance—after years of a slow-burn relationship. Elle’s marriage to a man she truly loves (and the comfortable family life they've made together) is balanced against the secret-filled history she and Jonas share. Over the course of the ensuing hours, Elle narrates her day of introspection and intersperses it with flashbacks spanning the course of her whole life, with and without Jonas. The moody and atmospheric setting of the shadowy paths and ponds of the Back Woods is described in lush detail that makes a sharp contrast to the colder, sharper elements of Elle’s story. But the long-held secrets that Elle reveals and reckons with over the course of her day of decision cast the biggest shadow over her life and will inform the rest of her days.

From the first pages of her debut novel, Heller pulls no punches. Some of them just sneak up on you later on.

Pub Date: July 6, 2021

ISBN: 978-0-593-32982-5

Page Count: 400

Publisher: Riverhead

Review Posted Online: April 13, 2021

Kirkus Reviews Issue: May 1, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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