Where not to go on your summer vacation. Here is a portrait of a city as a complete basket case: Buenos Aires through the eyes of English journalist France. Having moved to the Latin American capital city in 1993 to work as a freelance reporter, France found the Paris of the South a picture of catastrophe: pollution that asphyxiates, a relentless din, a plague of rats, drivers who “believe a car accident is an act of God, and cannot be avoided.” The telephones don’t work, or the bureaucrats; holes pock the streets; the heat and damp addle and inebriate, making life a misery. Go ahead and choose from the 300 brands of condoms; still, only 8 are safe. Try to get keys replicated or get anything done without a bribe or a connection. Outside the metropolis, the worst-run provinces are little more than fiefdoms. Certainly worst of all—worse than the empty promises of Peronism, the endemic corruption (“honesty had rarely been the best policy in Argentina”), the murderous and sentimental attachment to the Malvinas—were the horrors of the “dirty war” of the 1970s, when gunmen in dark glasses operated with impunity to rid the country of not just Montoneros and political subversives, but “goody-goody” doctors who tended to the poor, writers of idealistic poetry, and, remarked a particularly zealous officer, “finally we shall kill the timid.” The years of bottomless terror, France avers, with plenty of ammunition, have resulted in a culture of silence, bitter and anxious, that throws a pervasive unease over the everyday life of Argentineans. Roll this all together and it ferments into a picture of a country off the rails and barely contained in its understandable fury There are bright spots in this bleak portrait, other than France’s cannily affecting writing: cafÇs and bookshops and friends she loved, there is Borges and the tango, and the knowledge that she can leave.
Pub Date: May 24, 1999
ISBN: 0-88001-665-5
Page Count: 224
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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