A lightweight offering undermined by awkward writing.
The familiar ditty about little monkeys jumping on a bed is reimagined with a racially diverse group of 10 children going to imaginative lengths to resist bedtime.
Sneaking out of their room to indulge in a variety of lively games, they are repeatedly rounded up by their Daddy and Mama (who are ambiguously tan and dark-haired) before everyone finally collapses into peaceful slumber. Unfortunately the text lacks finesse (“6 rowdy cowboys lassoing the rails—one loop swooped and, whoops!, it failed”), featuring word choices that feel contrived (“8 rapid racers revving out the gate—one left late and couldn’t drive straight!”). It is Wragg’s cheery illustrations in rich jewel tones that steal the show. The children’s bright, cartoonlike faces are expressive, and their costumes—the tigers and dragons, in particular—are truly adorable. The 10 scenarios described are ethnically and culturally nonspecific (astronaut, pirate, firefighter) with the notable exception of the first, ninja. It is portrayed via a bewildering miscellany of Asian props: the tree pose from Indian yoga, karate outfits, and a conical straw hat of the variety favored by rice farmers. The text here refers to the mother as “sensei,” and she is subsequently described in the context of the other scenarios (pilot, sheriff, etc.), a choice that may initially confuse children.
A lightweight offering undermined by awkward writing. (Picture book. 3-6)Pub Date: Aug. 9, 2016
ISBN: 978-0-553-53497-9
Page Count: 32
Publisher: Knopf
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
Formulaic fare that will nevertheless charm devoted followers.
A few familiar friends explore gratitude.
Daywalt’s crayons have observed many holidays, from Christmas to Earth Day. On Thanksgiving, these anthropomorphic school supplies wax (pun intended) poetic about their favorite things to draw. “Blue is thankful for blueberries.” (The accompanying illustration depicts the stubby crayon leaping into a pile of the fruit.) Black, on a page topped by dark scribbles, “is thankful for night skies.” In an aside, Black adds, “Big, beautiful night skies I get to color in all by myself!” (Blue is perfectly fine with this.) Pink pipes up with “Three glorious words. Amazon. River. Dolphins”—which may spur readers to research these creatures. The tale turns a bit meta, too. Teal is thankful for family—both Blue and Green. Red, surrounded by hearts, is thankful for Neon Green Highlighter, who was accidentally dropped into the crayon box—a “dreamboat” for sure. Recognizable jokes from previous works make appearances; these callbacks will delight staunch fans, though others will find them tiring. Standard cheer and platitudes abound; the crayons are ultimately most grateful for each other.
Formulaic fare that will nevertheless charm devoted followers. (Picture book. 3-6)Pub Date: Sept. 10, 2024
ISBN: 9780593690574
Page Count: 32
Publisher: Philomel
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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