by Miranda Paul ; illustrated by Elizabeth Zunon ‧ RELEASE DATE: Feb. 1, 2015
Though Isatou Ceesay’s country may be unfamiliar to young readers, they’ve probably done some handicraft recycling of their...
Distressed by the problem of plastic-bag disposal, a Gambian woman organizes her neighbors to turn trash into treasure.
When Isatou Ceesay first discovered plastic bags in the Gambia in West Africa, in the 1980s, they seemed wonderfully useful and sturdy. But in her village, they soon became a nuisance, piling up in ugly dump areas where mosquitoes bred. Goats ate them and died. Her solution was to collect and clean used bags, cut them into strips and crochet the strips into useful plastic purses. These were sold at local markets and eventually internationally. Paul, who first went to the Gambia as a volunteer and has returned in other roles, tells this story in a straightforward fashion, deftly including words from the Wolof language and including details about Ceesay’s village life. A map, author’s note, glossary, timeline and excellent suggestions for further reading set this example of a woman who made a difference in a larger context. Fittingly, the collage illustrations make use of colorful papers and plastic bags. These reveal the labor involved and show the women’s joy in the results of their work.
Though Isatou Ceesay’s country may be unfamiliar to young readers, they’ve probably done some handicraft recycling of their own. The easy connection makes this a welcome addition to the small shelf of examples of ingenuity in developing nations. (Informational picture book. 5-8)Pub Date: Feb. 1, 2015
ISBN: 978-1-4677-1608-6
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Verde ; illustrated by Naoko Stoop
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by Susan Verde ; illustrated by Peter H. Reynolds
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by Susan Verde ; illustrated by Juliana Perdomo
by Andrea Beaty ; illustrated by David Roberts ‧ RELEASE DATE: Sept. 3, 2013
Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...
Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.
Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.
Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)Pub Date: Sept. 3, 2013
ISBN: 978-1-4197-0845-9
Page Count: 32
Publisher: Abrams
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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by Andrea Beaty ; illustrated by David Roberts
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by Andrea Beaty ; illustrated by Dow Phumiruk
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