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A FIFTY-YEAR SILENCE

LOVE, WAR, AND A RUINED HOUSE IN FRANCE

A moving family history researched with dedication and completed with a granddaughter’s love.

Unearthing her grandparents’ mysterious 50-year estrangement forms the foundation for translator and editor Mouillot’s memoir.

From the time she was a young girl, the author understood that she came from a turbulent family of Holocaust survivors and that her estranged grandparents’ relationship was odd. The family’s emotional terrain consisted of “fights and bitterness, illness and injury, trauma, bad memories, and crazy grudges.” Her mother knew little about their relationship, except for the fact that they hadn’t spoken in almost 40 years. As an adolescent, Mouillot had been close to her grandmother, but it was not until she was 14 that she visited her difficult grandfather alone in Switzerland for the first time. After this visit, the author initially comprehended the volatility surrounding her grandparents’ relationship. The combination of her grandfather’s strong negative feelings for his ex-wife and her grandmother’s vague responses to Mouillot’s inquiries about their relationship prompted more questions. Through convoluted conversations with her mother and grandparents, the author began piecing together the puzzle of their traumatic daily lives. Her grandmother was a physician during the war, and her grandfather served as an interpreter at the Nuremberg trials. After they met, they married, had a baby and moved to a house in the countryside in southern France. Putting together the family story involved many discussions, delving into old family letters and archival research; the process took Mouillot more than 10 years. Before completing the family story, her grandfather lost his memory to dementia, but her grandmother was able to read an early version of the book. “While I was trying to remember,” writes the author, “Grandma was urging me to forget, to put it down on paper and get on with the labor or living.”

A moving family history researched with dedication and completed with a granddaughter’s love.

Pub Date: Jan. 20, 2015

ISBN: 978-0804140645

Page Count: 288

Publisher: Crown

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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