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ADULTS AND OTHER CHILDREN

A chilling view of womanhood—made up of lies, secrets, and fear—expressed in elegant prose.

While the girls and women who inhabit Cohen’s 14 stories share tangential relationships, what most binds this collection together is a sense of overpowering dread.

“Naughty,” about a little girl named Amelia who's convinced her infant sister is a changeling, sets the horror-story tone for what follows. Nothing supernatural, or exactly murderous, happens, but the emotional menace swirling under the characters’ skins continually threatens to erupt—and sometimes does—into public chaos. So in “Bad Words,” second grader Yael reacts to her Orthodox Jewish parents’ impending divorce with a taboo dinner request, fully aware that “eating a cheeseburger is the same thing as killing someone.” By “A Girl of a Certain Age,” Yael has grown into a young woman fascinated by the murder of a co-worker by her seemingly normal fiance. In “Guns Are Safer for Children Than Laundry Detergent,” she creates an imaginary child with her boyfriend to avoid having a real baby. College student Sophie, who is Amelia’s former classmate and Yael’s future roommate, becomes the surrogate mother for a creepy professor and his wife in "Surrogate"; years later, in “Odd Goods,” she accuses another creepy academic of sexual harassment, exaggerating the details if not the truth. Meanwhile, Amelia reaches adolescence with a serious eating disorder. In “Expecting,” she’s described as “more virus than girl” by the teacher whose life spirals into lies after she and Amelia catch each other puking in the bathroom. Cohen’s girls and women are damaged but not evil. Addicted to small lies and thievery, Amelia’s sister, Karin, is also drawn to protecting others: a sometime classmate “allergic to the sun” in “Recess Brides”; a severely disabled child in “Old for Your Age, Tall for Your Height”; and skeletal Amelia in “Care.” Years later, in "Wife," Karin has an epiphany: “She wasn’t going to be a filthy whore. It was a terrible thing to realize, that she actually was what everyone took her for: wife, mother, schoolteacher.” Being ordinary is what scares these troubled women most.

A chilling view of womanhood—made up of lies, secrets, and fear—expressed in elegant prose.

Pub Date: Jan. 14, 2020

ISBN: 978-1-63246-099-8

Page Count: 234

Publisher: Ig Publishing

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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