Beautifully wistful, quiet portraits of grief.
Crisp snapshots of men and women conducting everyday lives, skirting the aches of both love and loss.
With a nod to Virginia Woolf’s Mrs. Dalloway, Karmel’s (Being Esther, 2013) short story collection opens with a woman planning, evolves through a series of meditations on the past, and ends with a party. The families of many of Karmel's characters have been brutalized by the Holocaust, and their lives are fraught with ghosts and trauma; her stories often abruptly break at the end, the emotional terrain too difficult to traverse. The narratives echo with memories of pots and pans confiscated by the Nazis, wedding photographs burned in concentration camps, flight from the ambiguous boundary between Poland and Russia, and a violence that reverberates from suburban parks to Iraq. Instead of planning an evening soiree like Clarissa Dalloway, Sophie is planning a visit to her grandmother’s grave, remembering her Nonna’s love of Lucy and Ricky Ricardo, her refusal to accept the Arnaz divorce, her talented matchmaking, and her insistence on thoughtfully selected bouquets. In one of the more heartbreaking tales, Lydia cannot pass through her grief over her daughter’s death, creating a shrine made of jars of marmalade through which the sunlight conjures her presence —yet to Lydia's husband, Lyle, the marmalade symbolizes the past’s malevolent pull on their marriage. In the end, William Hill throws the closing party for his wife, Nora, who is quickly succumbing to breast cancer despite his hopes for one final moment of grace before his identity shifts from husband to widower. Blue silks and satins, sprigs of bougainvillea, mikvahs performed in the still water of a backyard swimming pool—these and other leitmotifs thread through several of the stories, tethering the characters to each other and creating a mournful harmony.
Beautifully wistful, quiet portraits of grief.Pub Date: Oct. 15, 2017
ISBN: 978-0-9986010-0-7
Page Count: 192
Publisher: Holy Cow! Press
Review Posted Online: Dec. 24, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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