“Sadness is what holds our bones in place,” Yoli thinks. Toews deepens our understanding of the pain found in Coleridge's...
A Canadian writer visits her older sister, a concert pianist who's just attempted suicide, in this masterful, original investigation into love, loss and survival.
“She wanted to die and I wanted her to live and we were enemies who loved each other,” Yolandi Von Riesen says of her sister, Elfrieda. Toews (Irma Voth, 2011, etc.) moves between Winnipeg, Toronto, and a small town founded by Mennonite immigrants who survived Bolshevik massacres, where the intellectual, free-spirited Von Riesen family doesn’t share the elders' disapproval of “overt symbols of hope and individual signature pieces.” Yoli looks back over time, realizing that the sisters' bond is strengthened by their painful memories. The girls' father baffles neighbors by supporting Elf's creative passions and campaigning to run a library. His suicide and absence from their adulthood make him even more important to his daughters as their paths diverge. Elf travels around Europe, emptying herself into Rachmaninoff performances; Yoli writes books about a rodeo heroine, feeling aimless and failed. Elf’s husband appreciates her singular sensitivity as a performer, but this capacity for vulnerability dangerously underpins her many breakdowns and longstanding depression. Yoli’s men are transient, leaving her with two children. Toews conveys family cycles of crisis and intermittent calm through recurring events and behaviors: Elf and her father both suffer from depression; Yoli and her mother face tragedy with wry humor and absurdist behavior; and two sisters experience parallel losses. Crisp chapter endings, like staccato musical notes, anchor the plot’s pacing. Elf’s determination to end her suffering by dying takes the form of a drumbeat of requests for Yoli to help her commit suicide. Readers yearn for more time with this complex, radiant woman who fiercely loves her family but cannot love herself.
“Sadness is what holds our bones in place,” Yoli thinks. Toews deepens our understanding of the pain found in Coleridge's poetry, which is the source of the book’s title.Pub Date: Nov. 6, 2014
ISBN: 978-1-940450-27-8
Page Count: 330
Publisher: McSweeney’s
Review Posted Online: July 23, 2014
Kirkus Reviews Issue: Oct. 1, 2014
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."
Back to St. John with the Steele family, whose tragic loss and horrifying discovery have yielded an exciting new life.
In Winter in Paradise (2018), Hilderbrand introduced Midwestern magazine editor Irene Steele and her adult sons, Baker and Cash, then swept them off to the island of St. John after paterfamilias Russell Steele was killed in a helicopter crash with his secret mistress, leaving a preteen love child and a spectacular villa. While the first volume left a lot up in the air about Russell’s dubious business dealings and the manner of his death, this installment fills in many of the blanks. All three Steeles made new friends during their unexpected visit to the island in January, and now that’s resulted in job offers for Irene and Cash and the promise of new love for single dad Baker. Why not move to St. John and into the empty villa? Mother, sons, and grandson do just that. Both the dead mistress’s diary and a cadre of FBI agents begin to provide answers to the questions left dangling in Volume 1, and romantic prospects unfold for all three Steeles. Nevertheless, as a wise person once said, shit happens, combusting the family’s prospects and leading to a cliffhanger ending. On the way, there will be luscious island atmosphere, cute sundresses, frozen drinks, “slender baguette sandwiches with duck, arugula and fig jam,” lemongrass sugar cookies, and numerous bottles of both Krug and Dom Pérignon, the latter served by a wiseass who offers one of his trademark tasting notes: “This storied bubbly has notes of Canadian pennies, your dad’s Members Only jacket, and…‘We Are Never, Ever, Ever Getting Back Together.’ ” You'll be counting the days until you can return to the Virgin Islands with these characters in the concluding volume of the trilogy.
Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."Pub Date: Oct. 8, 2019
ISBN: 978-0-316-43557-4
Page Count: 352
Publisher: Little, Brown
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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