by Mischa Hiller ‧ RELEASE DATE: Aug. 14, 2012
An entertainingly complex, quick-moving psychological thriller.
In Hiller’s (Sabra Zoo, 2010) second thriller, Michel Khoury is a skilled linguist, a supposed student at the London School of Oriental and African Studies, and a PLO operative controlled by the mysterious Abu Leila.
Khoury is a Lebanese Christian, a survivor of a horrific massacre in a Beirut refugee camp. Discovered by Leila, a PLO mastermind rumored to be connected to Arafat, Michel has been groomed since his orphaned teenage years for a purpose never revealed to him. He’s learned multiple languages and was schooled in spy craft in Gorbachev’s Moscow. Now, Abu Leila has assigned Michel to London, where he runs clandestine errands and acts as Leila’s agent. With no other contact within the PLO, Khoury is confused but loyal when he is tasked to find a site for a meeting between Palestinians and Israelis who are working secretly for a single-state solution to Middle Eastern turmoil, a gathering sure to draw assassins from all quarters. In a life driven by deceit, Khoury’s motives, decisions and reactions can be traced to the massacre that cost him his family. Khoury’s initial human contact is the superbly written Abu Leila, but Hiller opens the narrative by introducing Helen, a beautiful and free-spirited English anthropology doctoral candidate. A romance begins, one filled with the same ambiguity that mirrors Michel’s life as an operative. But then Michel’s world is shattered when Abu is assassinated in Berlin shortly before the clandestine conference. That sends Khoury, accompanied by Helen, into the wilds of Scotland, pursued by Abu’s killers. Moving from Lebanon to Cyprus to Berlin to Moscow and then to London, a city that Hiller knows and makes central to the story, the author writes believably of the world of undercover spies, both about the practicalities—picking locks, coding messages, using false identities—and the atmosphere of constant paranoia, continual double-dealing and amorality.
An entertainingly complex, quick-moving psychological thriller.Pub Date: Aug. 14, 2012
ISBN: 978-0-316-20420-0
Page Count: 288
Publisher: Mulholland Books/Little, Brown
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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