Next book

BETWEEN US AND ABUELA

A FAMILY STORY FROM THE BORDER

What’s “between us and Abuela”? The same thing that’s between the U.S. and Mexico—an 18-to-30–foot-high double fence.

A Christmas fairy tale set at the border wall.

María and Juan get on a border-bound bus with their mother. They haven’t seen Abuela in five years. Both children have made gifts: a knitted scarf from María and a drawing of Mary and Joseph on cardboard from Juan. Arriving at the annual Posada Sin Fronteras event (the Inn Without Borders), the children must wait their turn in order to have 30 minutes with Abuela. Touching pinkies through a metal grid, they exchange love and family news. When it’s time to say their goodbyes, María starts feeding the scarf through the small holes in the fence. A border patrol officer intercepts and takes the scarf. “We can’t let anything through the fence.” Orchestrating the requisite Christmas “miracle” to convey howling Juan’s gift to his grandmother occupies about half the book and veers into fantasy. The sister transforms her brother’s artwork into a kite with the knitting needles MacGyver-ed into spine and cross spar. With the unlikely encouragement of the officers, María successfully flies the kite over both the primary and secondary border fences/walls—which is against the law. To the triumphant shouts of the crowd on both sides of the border, Abuela gets her happy ending. Perkins’ fictionalized account of the actual annual gatherings at San Diego’s Friendship Park paired with Palacios’ chirpy illustrations inadvertently belie the heartbreak and human suffering played out every year.

What’s “between us and Abuela”? The same thing that’s between the U.S. and Mexico—an 18-to-30–foot-high double fence. (Picture book. 5-8)

Pub Date: Sept. 10, 2019

ISBN: 978-0-374-30373-0

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 1, 2019

Kirkus Reviews Issue: Sept. 1, 2019

Next book

BEST BUNNY BROTHER EVER

A tale of mutual adoration that hits a sweet note.

Little Honey Bunny Funnybunny loves baseball almost as much as she loves her big brother P.J.—though it’s a close-run thing.

Readers familiar with the pranks P.J. plays on his younger sibling in older episodes of the series (most illustrated by Roger Bollen) will be amused—and perhaps a little confused—to see him in the role of perfect big brother after meeting his swaddled little sister for the first time in mama’s lap. But here, along with being a constant companion and “always happy to see her,” he cements his heroic status in her eyes by hitting a home run for his baseball team and then patiently teaching her how to play T-ball. After carefully coaching her and leading her through warm-up exercises, he even sits in the stands, loudly cheering her on as she scores the winning run in her own very first game. “‘You are the best brother a bunny could ever have!’” she burbles. This tale’s a tad blander compared with others centered on P.J. and his sister, but it’s undeniably cheery, with text well structured for burgeoning readers. The all-smiles animal cast in Bowers’ cartoon art features a large and diversely hued family of bunnies sporting immense floppy ears as well as a multispecies crowd of furry onlookers equally varied of color, with one spectator in a wheelchair.

A tale of mutual adoration that hits a sweet note. (Early reader. 6-8)

Pub Date: Jan. 6, 2026

ISBN: 9798217032464

Page Count: 48

Publisher: Random House

Review Posted Online: March 17, 2026

Kirkus Reviews Issue: May 1, 2026

Next book

CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

Close Quickview