A captivating allegory about evil, lies, and forgiveness.
Truth and deception clash in this tale of the Holocaust.
Udo Graf is proud that the Wolf has assigned him the task of expelling all 50,000 Jews from Salonika, Greece. In that city, Nico Krispis is an 11-year-old Jewish boy whose blue eyes and blond hair deceive, but whose words do not. Those who know him know he has never told a lie in his life—“Never be the one to tell lies, Nico,” his grandfather teaches him. “God is always watching.” Udo and Nico meet, and Udo decides to exploit the child’s innocence. At the train station where Jews are being jammed into cattle cars bound for Auschwitz, Udo gives Nico a yellow star to wear and persuades him to whisper among the crowd, “I heard it from a German officer. They are sending us to Poland. We will have new homes. And jobs.” The lad doesn’t know any better, so he helps persuade reluctant Jews to board the train to hell. “You were a good little liar,” Udo later tells Nico, and delights in the prospect of breaking the boy’s spirit, which is more fun and a greater challenge than killing him outright. When Nico realizes the horrific nature of what he's done, his truth-telling days are over. He becomes an inveterate liar about everything. Narrating the story is the Angel of Truth, whom according to a parable God had cast out of heaven and onto earth, where Truth shattered into billions of pieces, each to lodge in a human heart. (Obviously, many hearts have been missed.) Truth skillfully weaves together the characters, including Nico; his brother, Sebastian; Sebastian’s wife, Fannie; and the “heartless deceiver” Udo. Events extend for decades beyond World War II, until everyone’s lives finally collide in dramatic fashion. As Truth readily acknowledges, his account is loaded with twists and turns, some fortuitous and others not. Will Nico Krispis ever seek redemption? And will he find it? Author Albom’s passion shows through on every page in this well-crafted novel.
A captivating allegory about evil, lies, and forgiveness.Pub Date: Nov. 14, 2023
ISBN: 9780062406651
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 21, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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