by Mitch Albom ‧ RELEASE DATE: Nov. 10, 2015
"All lonely roads lead back to Music" in this sentimental journey that might be a mashup of the lives of shooting stars like...
At the funeral of guitar superstar Frankie Presto, who disappeared at the peak of his fame, the Spirit of Music looks back on his life from his birth in a church during the Spanish Civil War to his years as “the next Elvis Presley.”
In Albom's latest mystical tale (The First Phone Call from Heaven, 2013, etc.), Francisco's mother dies after giving birth. The newborn is rescued by a nun, but she’s soon overwhelmed and, Moses-like, casts him adrift in the Mijares River, where he's found by Baffa Rubio’s hairless dog. Rubio later runs afoul of Franco’s thugs, and Francisco, only 9, is smuggled from Spain on a tramp freighter by El Maestro, his blind guitar instructor. In London, surviving as a busker, Francisco meets Django Reinhardt when the legendary guitarist is on his way to play with Duke Ellington in America. Francisco travels with him, his talent soon to earn international acclaim. Though a guitar virtuoso, Francisco neglects the beloved instrument to become a pop star, joining the glitterati. The moral? "Fame is addictive." Over decades, Francisco meets a litany of musicians, including Roger McGuinn, Burt Bacharach, Tony Bennett, and Paul Stanley of KISS, who reminisce in separate chapters while Music (imagine James Earl Jones reading poetry) spins out Francisco’s life story. There are occasional odd descriptive phrases like "with hair the color of dark grapes," but Albom can elicit tears when he writes about loss, and he has fun with you-are-there butterfly-effect anecdotes, as when Francisco tells Hank Williams not to buy a baby blue Cadillac, the car in which he would ride to his death.
"All lonely roads lead back to Music" in this sentimental journey that might be a mashup of the lives of shooting stars like Bobby Darin or Ricky Nelson.Pub Date: Nov. 10, 2015
ISBN: 978-0-06-229441-8
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 17, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by Mitch Albom
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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