by Mitch Greer ‧ RELEASE DATE: Aug. 2, 2023
An experimental SF magical mystery tour tied to a climate-change apocalypse.
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In Greer’s SF novel, three robots in the far future journey through a replacement for the planet Earth, which has been ruined by pollution and climate change.
The year is 3035, more than two millennia since Earth was devastated by climate change and fossil-fuel consumption that went unaddressed by self-centered and willfully ignorant humanity. Ultimately, mankind relocated to an orbit around Jupiter (details are sketchy; it involved terraforming the moon Europa) while the despoiled Earth, once “a planet once so beautiful that its loss made the universe weep,” enjoyed a 2,500-year hiatus from non-sustainable greed and industry. Now, three artificial-intelligence survey probes journey to a potentially reborn Earth (“Gaia II”). Among many wonders, the drones find the semi-ruins of Kyrillia, one of the enlightened cities, inhabited by aliens, that existed during Earth’s recovery. An entity called Wanderer tells the robots how Kyrillia’s people, the Valians, lapsed into ambition and hubris. The city, comparable to mythic Atlantis or Lemuria, declined and had to be humbled. The book may have been more effective if the author had eschewed a standard storytelling format to present this material as pure verse, like an enlarged poetry chapbook. Thinly-plotted at best, the book features adrift-feeling prose containing much Joycean imagery, with entire paragraphs recurring verbatim as though they were refrains, as well as shifts in voice from first-robot singular to plural to everything in between. Abundant colorful wordplay and heightened language revel in the terminology of astrophysics and the bio/quantum realm: “I, now but a lonely carbon atom, find solace in the waiting arms of a five-carbon sugar, RuBP.” Genre masters Ray Bradbury, Ursula LeGuin, Joe Haldeman, and Jane Yolen have dabbled in blending SF and poetry, but Greer’s novel will appeal only to adventurous readers willing to jettison conventional narrative and just bathe in the flow of this starry-eyed trek.
An experimental SF magical mystery tour tied to a climate-change apocalypse.Pub Date: Aug. 2, 2023
ISBN: 9798854689519
Page Count: 150
Publisher: N/A
Review Posted Online: Oct. 6, 2023
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Agustina Bazterrica translated by Sarah Moses ‧ RELEASE DATE: Aug. 4, 2020
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.
A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.
Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.Pub Date: Aug. 4, 2020
ISBN: 978-1-982150-92-1
Page Count: 224
Publisher: Scribner
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
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by Agustina Bazterrica ; translated by Sarah Moses
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