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I REMEMBER GAIA II

An experimental SF magical mystery tour tied to a climate-change apocalypse.

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In Greer’s SF novel, three robots in the far future journey through a replacement for the planet Earth, which has been ruined by pollution and climate change.

The year is 3035, more than two millennia since Earth was devastated by climate change and fossil-fuel consumption that went unaddressed by self-centered and willfully ignorant humanity. Ultimately, mankind relocated to an orbit around Jupiter (details are sketchy; it involved terraforming the moon Europa) while the despoiled Earth, once “a planet once so beautiful that its loss made the universe weep,” enjoyed a 2,500-year hiatus from non-sustainable greed and industry. Now, three artificial-intelligence survey probes journey to a potentially reborn Earth (“Gaia II”). Among many wonders, the drones find the semi-ruins of Kyrillia, one of the enlightened cities, inhabited by aliens, that existed during Earth’s recovery. An entity called Wanderer tells the robots how Kyrillia’s people, the Valians, lapsed into ambition and hubris. The city, comparable to mythic Atlantis or Lemuria, declined and had to be humbled. The book may have been more effective if the author had eschewed a standard storytelling format to present this material as pure verse, like an enlarged poetry chapbook. Thinly-plotted at best, the book features adrift-feeling prose containing much Joycean imagery, with entire paragraphs recurring verbatim as though they were refrains, as well as shifts in voice from first-robot singular to plural to everything in between. Abundant colorful wordplay and heightened language revel in the terminology of astrophysics and the bio/quantum realm: “I, now but a lonely carbon atom, find solace in the waiting arms of a five-carbon sugar, RuBP.” Genre masters Ray Bradbury, Ursula LeGuin, Joe Haldeman, and Jane Yolen have dabbled in blending SF and poetry, but Greer’s novel will appeal only to adventurous readers willing to jettison conventional narrative and just bathe in the flow of this starry-eyed trek.

An experimental SF magical mystery tour tied to a climate-change apocalypse.

Pub Date: Aug. 2, 2023

ISBN: 9798854689519

Page Count: 150

Publisher: N/A

Review Posted Online: Oct. 6, 2023

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WHEN THE MOON HITS YOUR EYE

A ridiculous concept imbued with gravity, charm, humor, plausible cynicism, and pathos—and perhaps the merest touch of spite.

A Wallace & Gromit dream is more of a nightmare in this darkly farcical science fantasy in which the moon inexplicably becomes…well, not green, but decidedly dairy.

When the moon and every lunar sample on Earth transform into a cheese-like substance, it seems amusing at first, but the appearance of this newly organic, extremely unstable satellite has far-reaching, apocalyptic consequences. A variety of U.S. citizens—disappointed astronauts from newly cancelled lunar missions, scientists whose understanding of the universe has been entirely upended, writers frantically adapting their pitches, retirees at a rural diner finding solace in their friendship, a small church community looking for divine answers, bickering cheese-shop owners whose product gets both welcome and unwelcome attention, the ultra-wealthy owner of an aerospace company with a spectacularly self-involved agenda, bank executives seeking a financial angle, and government officials desperately scheduling press conferences—respond in ways grand and petty, generous and self-serving. Those responses can only escalate when a cheesy lunar fragment threatens to destroy all life on our planet. Scalzi’s premise is absurd, but it’s merely the pretext to take a multifaceted, satiric look at how Americans deal with large-scale crisis, something we’re abundantly and recently familiar with, and will no doubt experience again in the not-so-distant future. He writes of denial, conspiracy theories, anger directed at the wrong people, unscrupulous political machinations, and multiple attempts at profiting from the end of the world, for as long as it lasts. There are moments of unexpected kindness and generosity, too. Of course, Scalzi takes aim at his favorite corporate, social, and government targets, as well as at the cheap sentiment that crisis always seems to inspire (as exemplified by a catastrophic Saturday Night Live episode).

A ridiculous concept imbued with gravity, charm, humor, plausible cynicism, and pathos—and perhaps the merest touch of spite.

Pub Date: March 25, 2025

ISBN: 9780765389091

Page Count: 336

Publisher: Tor

Review Posted Online: Nov. 23, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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