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BY FIRE, BY WATER

Deftly moves through a complex web of personal relationships, religious zeal and political fervor.

Debut novelist Kaplan depicts a turbulent period in 15th-century Spain, focusing on the story of Aragon’s royal chancellor.

Luis de Santángel’s grandfather was a converso, one of the many Jews forced to convert to Christianity. The chancellor retains an interest in his Jewish heritage, a dangerous prospect given the “New Inquisition” that has recently come to Spain. While Luis is influential and has the ear of King Fernando, he feels threatened by Chief Inquisitor Pedro de Arbués, charged with ferreting out apostates and all those who may have fallen from the true faith. Luis colludes in Pedro’s assassination, but faces more danger when Inquisitor General Tomás de Torquemada arrives to track down the conspirators. Torquemada captures Luis’s brother Estefan, and we learn in grisly detail how the Inquisition extracted “confessions of faith” from those who legitimately felt they had nothing to confess. Religious issues become even more complicated when the forces of Fernando and Ysabel push south into Granada to expel the Moors, an act prompted partly by religious fervor, partly by political expediency. When Ysabel finds out about a spurious anti-Christian manuscript entitled Toledoth Yeshu, she is led to an act of intolerance—the expulsion of all Jews from the kingdom—that rivals the cross-examinations and tortures of the Inquisition. Meanwhile, Cristóbal Colón, desperately trying to get funding for his voyage of discovery, needs to persuade those in power that going west is indeed a viable route to the Indies. Luis becomes Colón’s influential advocate at court, even putting up some of his own considerable fortune to fund the expedition. The chancellor’s political life becomes intertwined with his personal life when Luis falls in love with Judith, a beautiful Jew and talented silversmith.

Deftly moves through a complex web of personal relationships, religious zeal and political fervor.

Pub Date: May 18, 2010

ISBN: 978-1-59051-352-1

Page Count: 304

Publisher: Other Press

Review Posted Online: Sept. 21, 2010

Kirkus Reviews Issue: March 1, 2010

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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