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STORIES FROM SUFFRAGETTE CITY by M.J. Rose

STORIES FROM SUFFRAGETTE CITY

edited by M.J. Rose & Fiona Davis

Pub Date: Oct. 27th, 2020
ISBN: 978-1-250-24133-7
Publisher: Henry Holt

A landmark 1915 protest for women’s suffrage is the setting for the dozen short stories in this rousing anthology.

This year marks the 100th anniversary of the 19th Amendment, which guaranteed women’s right to vote. These stories by writers known for historical fiction focus on an event five years before, a march in New York City by 25,000 supporters of suffrage, “a three-mile-long argument for women’s rights.” Several of them bring to life real people; among the strongest is Jamie Ford’s “Boundless, We Ride.” Its protagonist is Mabel Ping-Hua Lee, a Chinese-born suffragist who would become the first woman to earn a Ph.D. from Columbia. Ford makes her a fiercely determined figure with a surprising, and touching, inspiration. The only story not set in New York is “American Womanhood” by Dolen Perkins-Valdez; its first-person narrator is Ida B. Wells-Barnett, the Black suffragist and early civil rights leader. At home in Chicago, she recalls a humiliating event at a 1913 march, an example of racism that seems all too current a century later. Some historical characters recur, like the millionaire Mrs. Alva Vanderbilt Belmont. She’s an imposing but remote presence in Katherine J. Chen’s “Siobhán,” which focuses on one of her housemaids; in Fiona Davis’ “The Last Mile,” Alva is a conflicted and more human main character. Other stories are built around fictional characters, many of them immigrants. In Christina Baker Kline’s “The Runaway,” Kira, a homeless 12-year-old from Ireland, sees the march as a gateway to her future and freedom. But for Ani, the Armenian refugee in Chris Bohjalian’s “Just Politics,” the protest triggers her worst memories of the political massacre that took her entire family. One character, irrepressible 7-year-old Grace, appears in “A First Step” and then pops up in many other stories, wearing a “Miss Suffragette City” sash and recording the scene with a Brownie camera.

A diverse range of vivid characters brings human faces to a historical protest march.