by M.L. Stark ‧ RELEASE DATE: Feb. 14, 2020
An intriguing but rambling tale about a woman and a psychopath.
A vulnerable woman falls into the predatory clutches of a smooth-talking physician in this novel.
When Mary fatefully meets Dr. Drake Lucifer Bates, she muses: “The name ‘Drake’ makes me think of a dragon. Oh no! ‘Lucifer’ I know from my faith, and it reminds me of the fallen angel sent to hell by God. The devil? Holy cow! Goosebumps run chillingly along my spine, but I don’t know if they are good ones or bad ones.” At the time, she is a “fragile personality”—her marriage of more than 20 years to her husband, Paul, seems destined for divorce, the result of his deceitful infidelity. She is also suffering from terrible chronic pain in the aftermath of back surgery. When Mary encounters Drake at his clinic in Spain, her original impressions are contradictory—on the one hand, he is monstrously inappropriate, unabashedly flirtatious and visibly aroused by her. But she is drawn to his “spicy body,” his empathy, and charisma. She wonders if he can save her from a life of emotional disappointments: “For me, he’s the genuine dream of a man, a spellbinding phantom of my shining white saviour on a white rescue horse.” But she begins to detect the “deep darkness of his evil agenda” and his rampant dishonesty and even starts to suspect he is a sociopath. Drake turns out to be a malicious “puppet master” and not only uses Mary for sexual exploitation, but also convinces her to leave her husband, all the while bilking tens of thousands of dollars from her.
Stark’s entire novel is written in the style of a memoir, with Mary serving as both protagonist and narrator, conveying her lament with breathless melodrama assisted by an infinite arsenal of exclamation points. The author is at her best exploring the way an intelligent, even skeptical woman could be so thoroughly deceived by such a clumsy, transparent huckster. But the plot is meanderingly ill disciplined and often reads like an interminable, furious jeremiad. Mary complains for pages and pages in the most hyperventilated register about her woes, and that is essentially the crux of the tale. There is no element of suspense—Mary announces from the beginning that Drake is a con man and she is his dupe. Still, the weakest feature of Stark’s book, the first installment of a trilogy, is the writing, which seems pitched at one tone—screaming. Here, Mary is about to succumb to Drake’s incessant advances: “Shame on me! I’m a dead drunken fish on his hook! In my half-drunk condition, I’ve left my brain in the last glass of whisky. Oops! I know I must say no, but I’m only human and have desires! So, I’m about to fall right into his cunning, sexy plan to seduce me, as his gentle caresses [sic] and while he speaks sensitive words in my ears.” As a result, this is an exhausting story—the author’s prose exacts a heavy toll on readers who make it to the end of the work.
An intriguing but rambling tale about a woman and a psychopath.Pub Date: Feb. 14, 2020
ISBN: 978-1-98-459360-3
Page Count: 348
Publisher: XlibrisUK
Review Posted Online: May 12, 2021
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Freida McFadden ‧ RELEASE DATE: March 4, 2025
A superior entry in the night-on-the-nightmare-ward genre.
A medical student is assigned an overnight shift to observe a Long Island hospital’s psychiatric ward and help with emergencies. You’d never guess what happens next.
Amy Brenner isn’t even interested in psychiatry, the one medical specialty she’s never considered for her own career. Nor is she interested any more in Cameron Berger, the classmate who ended their relationship so that he could spend more time studying, and she’s not pleased to learn that he’s switched his rotation with another student so he can spend some of the next 13 hours persuading Amy to rekindle their romance. Predictably, Cam will be the least of Amy’s troubles. Apart from Dr. Richard Beck and nurse Ramona Dutton, everyone else on Ward D is much more dangerous, from elderly Mary Cummings, whose knitting needles aren’t plastic but sharpened steel, to William Schoenfeld, who’s stopped taking the medications that were supposed to silence the voices telling him to kill people, to Damon Sawyer, who’s confined in Seclusion One and can’t possibly escape, unless a power outage neutralizes the locks. Most threatening of all is Jade Carpenter, whose close friendship with Amy ended eight years ago when Amy turned her in for what ended up being only one of a whole series of thrill crimes. McFadden measures out the complications, revelations, and betrayals with such an expert hand that readers anxiously trying to figure out whom Amy can trust as her goal shifts from ticking off a toilsome requirement to surviving the night may well end up wondering whom they can trust themselves. And isn’t provoking that kind of paranoia what medical thrillers are all about?
A superior entry in the night-on-the-nightmare-ward genre.Pub Date: March 4, 2025
ISBN: 9781464227271
Page Count: 320
Publisher: Poisoned Pen
Review Posted Online: Dec. 13, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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