An exuberant fairy-tale homage with sly commentary about gender, class, church, and state.
Tudor-era sweethearts gather a crew of “Holy Pirates” to push back on tax corruption and retrieve stolen monastery treasures in Conlan’s romantic historical adventure novel.
Morwenna Goodwin, who’s 19 and “now of wife age,” receives courtship gifts from her childhood pal Henry Truelove, the 20-year-old son of a family wealthier than hers, residing in Truelove Manor near her family’s small freehold farm. Morwenna puts the gifts—which begin with a partridge in a pear tree and proceed as in the anachronistic song “The Twelve Days of Christmas”—to practical use. She uses some of the bounty to hire former monk Tom to teach her how to write and learn about equitable marriage contracts. Henry, who’s been away at court, returns home after learning that his father is facing ruinous taxes; he brings eight milkmaids along with him. Daisy, one of them, becomes a servant in nearby Blount Hall, helping to expose and resolve the misdeeds of the tax collector and his oafish son. Blount servant James, a former monastery student, shows Tom a bejeweled holy book given to him for safekeeping after monasteries were disbanded under Tudor rule. A former abbot also arises, having stashed a cache of books and other stolen treasure in the area. All’s well by novel’s end thanks to a festival play created by the town’s wealthy sisters that results in several marriages and an opportunity for the main couple and their band of “Holy Pirates” to spirit away the books to a protected new home. In this amusing, action-packed tale, Conlan effectively combines the loving parody of William Goldman’s classic The Princess Bride (1973) with the feminism of Karen Cushman’s Catherine, Called Birdy (1994). It encompasses a colorful cavalcade of characters, who also include an actual ex-pirate; a formerly enslaved sailor; and displaced nuns, one of whom was once a pirate hostage. Many of these characters get to express snarky social criticism during their adventures, including Tom, who notes that church officials are “sneaky and venomous as snakes, and ever changing what be true and what heresy.”
An exuberant fairy-tale homage with sly commentary about gender, class, church, and state.Pub Date: April 4, 2023
ISBN: 978-1639888009
Page Count: 290
Publisher: Atmosphere Press
Review Posted Online: June 26, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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