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ROMEOSAURUS AND JULIET REX

Not too shabby for a first taste of the Bard.

Shakespeare’s classic tragedy gets a comic retelling and a happy ending.

“Once upon a time, one hundred and fifty million years ago….” Romeosaurus’ family (a mix of dino species) are herbivores, while Juliet Rex’s (T. Rexes and a pterodactyl nurse) delight in eating meat. The two meet at a masked ball, quickly becoming friends, though the herbivores must make a quick escape after Romeo helps Auntie Gladys off the buffet table, where she’s been trussed, with an apple in her mouth, and Mercutio-tops accidentally pokes Tybalt Rex with his horns. The balcony scene leads to a cementing of Romeo and Juliet’s friendship, and the two leave notes for their loved ones and run off to the tar pits. Knowing what danger that poses, Nurse-a-Dactyl and Mercutio-tops fly to the rescue (“We should have let them be friends!”), and the foursome agree that carnivores and herbivores can be friends (not meals). But this happily-ever-after is marred by a looming final-page meteorite. Indeed, O’Hara sprinkles humorous references throughout that will fly over kids’ heads, though parents will be in stitches: “Juliet Rex was waving her tiny arms in the air like she just didn’t care….” Joyner’s digital illustrations are a hoot. The dinos are dressed in Elizabethan finery (dino color and clothing color separating carnivores and herbivores, in addition to the former’s pointy teeth), and their expressions are sure to evince giggles, most being over-the-top.

Not too shabby for a first taste of the Bard. (Picture book. 4-8)

Pub Date: Dec. 18, 2018

ISBN: 978-0-06-265274-4

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 16, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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